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Airbourne Pays Tribute to Motörhead in New Video

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Airbourne in “It’s All For Rock N’ Roll”

Australian Hard Rockers Airbourne have got a message to deliver while they’re Breakin’ Outta Hell on their latest studio album. The Spinefarm Records release includes a new track by the name of “It’s All For Rock N’ Roll”, and it’s all about Lemmy. The band has made it known that they forged a friendship with Lemmy through many occasions of sharing the stage with Motörhead. Lemmy made a cameo in Airbourne’s 2007 video for the track “Runnin’ Wild”, and it looks like they’ve included a bit of that footage in this new music video for the Motörhead tribute track.

Airbourne frontman Joel O’Keeffe has some great praise for Lemmy and the band: “When Motörhead played, Lemmy was there for the fans and the fans were there for him. It didn’t matter what was happening in the world at that point, because Motörhead was onstage; the crew had everything dialled in, and the crowd were there and lovin’ it – all for rock n’ roll. Whenever we were on tour, we looked forward to seeing the festival posters with the big Motörhead logo on there, and now there’s just a big black hole. ‘We are Motörhead, and we play rock ‘n’ roll,’ we were so used to hearing that, and when it’s not there anymore, it hits you hard. Lemmy meant so much to us, and so much to rock ‘n’ roll itself…”

Indeed, Lemmy meant so much to a lot of people, which is why many fans can share in the celebration of him through Airbourne’s tribute (that even includes the authentic “bomber” lighting rig). The track is a great one, with a classic rock n’ roll vibe. Check out the video below.

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Airbourne has a festival on the horizon, their first time taking to the Main Stage at Download Festival in June. Keep up with the band via their Facebook, Twitter, and Official Website.

Jinjer Delivers Some Extreme Grooves with New Lyric Video

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Jinjer Album

You might say it isn’t that often that you get to hear Ukrainian Groove Metal, but if so, then maybe you just haven’t been listening to enough Jinjer. This band out of Eastern Europe has a unique brand of extreme metal music to present, and they’ve been doing it ever since 2009. The latest we’re hearing from them is a new album on Napalm Records by the name of King of Everything, and a new lyric video has just surfaced showcasing the single “Captain Clock”. You can watch it right here.

The new album as well as other merch is available through the Napalm Records Webstore. The band will be headlining a tour of Europe throughout the Spring, and they’ve expressed plenty of enthusiasm about heading out:

“The upcoming “Against the Stream” tour in March, April and May will be something extraordinary. We will play several songs from the previous album “Cloud Factory”, and one of them is “Bad Water” which we performed live only once in Kiev. Moreover we have made several changes in other old songs, to make them sound even better. And of course we will play KING OF EVERYTHING! We cannot wait when we finally set off on the road.”

An official tour trailer has also been released, showing off some of the band’s music as well as listing the upcoming tour dates. You can find more info on the band, including the full tour listing at their Official Website.

Warbringer Premieres New Track

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Warbringer

L.A. Thrashers Warbringer have thrown a brand-new track at fans, and it hits hard. The band’s debut on Napalm Records (but fifth album altogether), Woe To The Vanquished, is set to be released on March 31st, and the newly released audio offers a sneak peek for what to expect. The album was produced and mixed by Mike Plottnikoff (Fear Factory, In Flames), mastered by Howie Weinberg (Slayer, Pantera) with cover art by the esteemed Andreas Marschall (Sodom, Blind Guardian, Obituary). The new track is called “Shellfire” and is being released on the heels of the record’s first music video, “Silhouettes“. Here’s what frontman John Kevill has to say about the track:

“As we near the release of our fifth record “Woe to the Vanquished” we want to show you guys something that will blow some heads off. We wrote this song with the intention of it being the fastest Warbringer song to date, which it is. The music, composed by Carlos Cruz, is a ripping bombardment of riffs and rapid-fire fills with a crushing detonation of a middle section. The lyrics, inspired by the seemingly endless battles on the Western Front of World War One, are full of anger, bitterness, and sheer horror, as day after day after day, week after week, the guns never, ever stop. Play it loud and take cover!”

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If you happened to be wondering what sort of things went into the making of Warbringer’s upcoming release, well, you can easily find out – the band has a making-of video for the record and you can see it right here. You can also head to the Napalm Records Webstore to pre-order Woe To The Vanquished and keep up on the latest with Warbringer, including upcoming tour dates, on their Official Website.

 

Kobra and the Lotus Stream New Track off “Prevail”

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KATL Band

Kobra and the Lotus announced their signing to Napalm Records and teased the prospect of a new 2017 album a while back in 2016, but now the full details and a taste of the record have both been revealed at last. May 12th marks the release date of an album that these Canadian rockers have been hard at work on, entitled Prevail I. The album art has also been revealed, and can be seen below. There is a story behind the new record and its cover art, and frontwoman Kobra Paige is happy to tell it:

“When we are born, we are innocent, pure, and unshaped. This mandala signifies a human at the beginning of it’s journey. Unscathed and beautiful, the mandala is each and every one of us. As this album unfolds, you will notice it’s more than just music. Prevail I is a story of visceral truth and I believe, if we’re really being honest with ourselves, everyone will find their story within it. After all, the battles may differ, but we all started as the same mandala and we are more relatable than we’d like to admit. Our only wish is that you may enjoy the freaking crap out of this album and find comfort in realizing you’re not alone.”
A new single off Prevail I is also streaming now through an exclusive debut on Bravewords. You can listen to the opening track, “Gotham” right here.
Prevail I Album Art
Prevail I Album Art
Prevail I Track Listing:
1. Gotham
2. TriggerPulse
3. You Don’t Know
4. Specimen X (Mortal Chamber)
5. Light Me Up
6. Manifest Destiny
7. Victim
8. Check The Phyrg
9. Hell On Earth
10. Prevail
Prevail I is available for pre-order at the Napalm Records Webstore. For more on Kobra and the Lotus, visit the band’s Official Website.

Interview: Dave DiSarro of Cardiac

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Photo via Cardiac's Official Facebook Page
Photo via Cardiac’s Official Facebook Page

Cardiac is a Hard Rock band on the rise, debuting in 2011 and touring ever since, while releasing a self-titled EP and forming a non-profit music education program along the way. They’ve got some shows coming up in support of Enuff Z’Nuff, and though Cardiac didn’t play that night, frontman Dave DiSarro (front and center in the above photo) was at the Ace Frehley/Enuff Z’Nuff show at the Canyon Club on January 29th. Chip introduced us so I could ask Dave some questions and find out what Cardiac is all about.


Here with Dave from Cardiac at the Canyon Club, I just got finished talking with Chip Z’Nuff and he told me that you guys are going out on tour with him pretty soon, so let’s start by talking about that, how’d that connection happen?

We’ve been friends with Chippy for a while and we were out on tour, me and my drummer were out on the fall tour with them, just working with them and helping them out. We showed them our music and Chip took us under his wing, talked to the booking agent, and we’re going out to Europe and doing all the European dates with them now.

So I’d like to get a little background on your band, Cardiac, about the origins of the band, where you’re from, and what style of music you’re all about.

Basically, it was a concept I came up with and just started writing different stuff…I came from punk and metal genres and I wanted to do something a little more experimental, so I started writing – mostly it was songs I couldn’t put into that kind of style of music, and I was listening to a lot of Brian Wilson at the time, Meatloaf, a lot of Queen, and I wanted to do something to kind of test my boundaries musically and not write pop-punk, punk, or metal. I was starting to learn piano at the same time, so I started kind of just writing piano riffs and stuff like that, and I was taking some of my poetry and putting it behind it, and I came up with the idea to write it up as a story, so now it’s coming out eventually as a 20-song rock opera that we’re calling “Destroy Rebuild”.

Rock opera! Very cool. So the concept of rock opera, what led you to that? Sounds like an intricate sort of challenge to take on.

The songs were all kind of related to each other and it was turning into a storyline form, so I decided I wanted to fill in the gaps and for some reason, I don’t why, I picked 20, I’ve always been very balanced (laughs). And I wanted to picture it as a 10-on-10 double disc album, and that’s how I settled on the number 20. It’s following a character kind of like down to defeat and then back up again on a rise, so it’s ten songs going to the point of no return basically, struggling with drugs, suicide, different things like that with depression, then on the upside of the CD is basically finding your love for life and carrying on again. We’ve been able to use our music a lot, we’ve worked with To Write Love On Her Arms, we’ve worked with MusiCares, Music Saves Lives, worked a lot with Wounded Warriors too. Our first tour actually, we turned six weeks into eight months, and a lot of that was working with benefit shows because, basically nobody knew us, and what we were doing was we were reaching out and we got offered a lot of gigs that were to help out and speak at schools, we worked at a couple homeless shelters too. And we saw that our music was getting in to different crowds that normally we wouldn’t be playing, like sometimes there wasn’t a stage there but it felt good to do it, there were people listening to our music, so we started off with that, and then we started getting into bigger clubs. Actually, the last tour we did was the biggest one we’ve done so far, we were out with The Bangles last summer, and that was an amazing gig to get, it was sold out shows across the East Coast. That was something that really kind of led us to the next thing and now Chip is taking us out and you know, with his help too he’s been pushing us, that’s how we’re doing this interview right now. It’s been amazing to have legendary people that made the hits in the past and are making the hits right now, going out and working, I’m a hard worker and when they’ve been able to see that in us and give us this offering, it’s been incredible.

Sounds like a lot of really great things going on with your band. Now, tell me about this record you just handed me here.

This record is actually the first eight songs that I wrote for the project, they’re not in storyline form, but they’re part of the rock opera. Some of them might be coming out as I write more stuff that fits better into those themes, but this is the first eight, recorded it with some of the best guys I could find in Hollywood at the time. And we just went into the studio with Carmen Grillo from Tower of Power, I had Steve Slate from Slate Audio mix it, and Reuben Cohen from Lurssen Mastering – done everything from Across the Universe to, he’s working on the Beauty and the Beast soundtrack right now – so we had some really great people on our team and we’ve kept them really close to, the same guys we’re going to work with on everything. Gus Crinz is the guy that worked on the three latest singles we’ve got that have come out, we released “Silver Lining” back on The Bangles tour, we had a harder song called “Here I Fall” that we just put out, we had a song called “Half Mast” that I was actually trying to write for Fox Sports and get it placed and we just brought it into Cardiac, it doesn’t have anything to do with the storyline, but it’s just a fun sports song, like a good get-up-and-go anthem. And we have a new single coming out on the way, before we go to Europe, called “I Feel Alive”. We had a different version on this album that is one of the songs I wrote while we were in the studio, after we had already tracked drums and everything, and we decided to just do the piano cut with the violins behind it with a string quartet on there, but we’re doing a full rock version with how it’s adapted into our lives, where it’s a five-minute…basically, guitar jerk-off at the end. (laughs) It’s amazing. It’s a big solo at the end of it and it’s how we close our shows, so we wanted to put that on to the next EP that’s coming out.

I mean, that’s what guitar solos are all about most of the time anyway. (laughs) No, I’m kidding, it’s all good.

Eventually, honestly, once we start kicking ass on some shows and people start knowing our music and hopefully that single gets pushed, it would be one of those fun ones to bring like, a fan up on stage and throw a guitar on him, you know obviously we’ll stay up there, but it’ll be a fun one to pick somebody out of the crowd and bring ‘em up and just let ‘em jam along with us at the end of the set and really get people going.

That’s great, and you have a great enthusiasm about your music, I like hearing about this. So now, of course, we’ve got some great background noise for this interview here, Ace Frehley’s out on stage right now playing, you an Ace fan?

Oh, Ace has been so good to us too. Richie Scarlet on guitar, I love watching him every night, one of the most energetic guys I’ve seen on stage. And I’ve been out with these guys, these guys are fun as fuck, Enuff Z’Nuff has been treating me awesome, they’re fun as hell. [Tony Fennell, who came backstage during this interview chimed in here just to say “Apart from me”.] I don’t know how they perform so good, because we’re out every night, we’re having fun, these guys never shut down without having a good time afterwards, we usually turn in to a karaoke bar at the end or we end up somewhere having fun afterwards. It’s been one of the most fun tours I’ve ever been on. But Ace and the guys have been great, Chris Wyse on bass, really great guy, and Scot Coogan just came up with them on vocals at the end of their set, and he’s a kickass guy too. Everybody on this tour is just really fuckin’ awesome.

Nice. Lots of fun stuff, and I’m really looking forward to seeing the future of Cardiac as well, so thank you for taking the time to sit down and talk with me.

Thank you!


Visit Cardiac’s official Facebook page for more on the band.

Interview: Catching Up with Chip Z’Nuff

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chip-znuff-9

January 29th, 2017, Enuff Z’Nuff hit The Canyon Club in Agoura Hills, CA, as part of their tour with Ace Frehley. A trek across the scenic Pacific Coast Highway plus a hike up some hilly roads is all it takes to get to this venue from Hollywood, and well worth the trip. It was a fun night with a fantastic show, and always great to see Enuff Z’Nuff live. I had interviewed Chip a few months prior, when the band played with Tracii Guns at The Backstage Pass on Long Island, NY. But a new year, new album and new tour have all come about since then, so this show was a good opportunity to catch up with Chip and ask a few questions about what’s new in the world of Enuff Z’Nuff.


Here at the Canyon Club tonight, you just got offstage from playing an awesome set. The last time we spoke was just before the album Clowns Lounge came out and you mentioned 2017 was looking like a big touring year for Enuff Z’Nuff, and it seems like that’s already coming true.

It certainly has, my grandpa always used to say “careful what you wish for”. The record came out early December on Frontiers Records, and it’s basically an archival record as I’ve said before, featuring the original Enuff Z’Nuff and Enuff Z’Nuff as we are today. First single’s called “Dog On A Bone”, came out December 2nd and it’s already gone through its first pressing. It’s selling really well and I’m so shocked because everybody says, well, no one buys records, they just go out and get it on iTunes and Amazon, wherever you can get the record, and just download it. But people are buying the record every single night. We’ve sold out on this tour. We started on the 12th of January, and Ace Frehley met up with us on the 18th. Now I think we’re 11 or 12 shows into the tour with plenty to go as well, and I can’t thank Ace Frehley enough for taking us out. We did the Kiss Kruise, that was terrific, and now Ace takes us out, it’s like this whole thing for Kiss. It’s gone full circle and the shows have been great every single night, they treat us terrific. I couldn’t ask for better buddies to be out on a tour with, and it’s nice to be playing to a thousand people a night.

Sounds awesome, and that is pretty funny – sort of a Kiss theme going on there, from the cruise to Ace Frehley. You mentioned Clowns Lounge was released on Frontiers, and this record label seems to be more and more on the rise every day, such an abundance of rock bands who got their start in the 80’s seem to be releasing new material through them, so can you talk a little about the label? What it was like working with them to release Clowns Lounge?

It was very tedious. The label wanted the record a certain way. I think when they signed the band, they thought we were just going to go in studio and start writing brand-new songs, which would be impossible because this record would cost a hundred grand to make, okay? But I had stuff in the archives, I’d been saving everything that we recorded from the early days, and I was able with the blessing of the good Lord to put together a nice twelve-song record showcasing Enuff Z’Nuff. And after going through weeks and weeks of overdubs, going through mastering back and forth with Frontiers, we finally all agreed upon the record and we put it out, and they licensed it to Japan, which we do very well over there. It’s a worldwide release and we’re getting a lot of press and it seems like everybody’s coming out of the woodwork wanting to help Enuff Z’Nuff. We’ve always been the critics darlings to the press, and people seem to want to help the underdogs, so it looks like this year’s shaping up to be pretty successful for us as far as touring goes. We haven’t played this many dates in I can’t tell you how long. It was always the “weekend warrior”, go out there on the weekends then fly back home, and now to be out there traveling around with the whole band and the small crew is very refreshing.

How much, if anything, of the new record is going to be making it onto the setlist for these recent shows?

Probably the first two singles. When we first accepted this tour with Ace, and Ace asked — he’s like E.F. Hutton, when Ace speaks, people listen — and he said to me, “We’d love you to support us on this tour, we’ll give you a 45 minute set”, I wanted to put the new stuff in there, but no one has the record, it’s too early to put the new stuff in, I thought. My focus was to push the early records that sold a lot, and the first two records were gold records, did very well for us, so I focused on early records – “Baby Loves You”, “New Thing”, “Fly High Michelle”, “Heaven or Hell”, “In The Groove”. I put “Jean Genie” in the set, the Bowie cover because we just lost one of the greatest artists of the last generation, and I just wanted to pay respect to our forebearers and he’s one of them, and it’s on our Covered In Gold record. So, I focused on the first three records basically, and there’s twenty albums, there’s a lot of material to pick from, and we’ll see how the record does. If things pick up and we get a chance to do more touring where we can play full shows, I’ll put those songs in the setlist. “Dog On A Bone” and “Rockabye Dreamland”, those will be the first two songs off the record.

Definitely looking forward to hearing those live, and that was a great setlist you described just now as well. It’s clear that Enuff Z’Nuff fans love to hear the classics you said, “Fly High Michelle”, “New Thing”…but do you personally have a favorite Enuff Z’Nuff song to play live?

I love ‘em all. I really do, I know everybody says about their being able to love all the records, and my answer is no exception. Every single record that we’ve put out I embrace, some more than others. As far as favorite songs to play, I can’t say there’s a favorite. I’m grateful for all the songs that we’ve written, and whatever fans want to hear is what I want to play. That’s why on this tour right here I wanted to focus on the stuff that a lot of people knew, that Sirius radio and other stations around the country have played. And as I said before, we’ll see how the tour goes, if there’s more longer shows, and we get a deeper set, I’ll go farther into the catalog and pick out some great stuff. There’s material off Paraphernalia and the Question Mark record, and the Chip and Donnie record, Welcome to Blue Island, that are great songs – something off 10 maybe, “There Goes My Heart”, ‘cause it’s been in a couple of movies. Focus on the songs that people know about more than anything, it’s not going to be a set of nothing but B-Side songs, because the fans don’t know those songs. Being on tour with Ace Frehley, it’s predominantely a Hard Rock/Heavy Metal set, so I wanted to pick the hardest, strongest songs that we had for that era.

I also noticed your name on the lineup for the Rock and Roll Fantasy Camp in a few weeks. Can you talk a bit about that event, have you ever been involved with it before?

I certainly have, I did it a couple years ago with Cheap Trick and Blue Oyster Cult, it was very successful. The following year, David Fishof from the Rock and Roll Fantasy Camp, who runs the whole thing, says “Want to do it again? I have Paul Stanley and Don Felder from The Eagles.” I said, “I’m in”, before he finished talking about it, I said yes! It was a great show, Steven Adler from Guns ‘n Roses came out, hung out with me and Vinny from Black Sabbath. Great cast of characters on these wonderful moments of Rock and Roll Fantasy Camp because you’re helping make dreams come true for people that have jobs and they never took a chance on doing what we do – there’s quite a risk to doing this gig. The new camp, though, is probably the most incendiary one of all of them. Stone Temple Pilots, Alice in Chains, Buckcherry, Candlebox, Filter, the list goes on of great guys, wonderful bands out there, I’m so blessed and proud to be a part of it. These are all guys that are still going after 15, 20 years, real veterans who’ve written great songs and have left an indelible mark and I can’t wait to get out there and play these Stone Temple Pilots songs and Alice in Chains tunes, it’s going to be great.

Exciting stuff. So, once again and also to close things off, you’ve of course got the tour with Ace Frehley right now, can you just give a little peek, a summary of what else is up next for Enuff Z’Nuff?

I can tell you a couple of things, I know we’re going to go out on the Poison tour with Tesla and, uh…

Def Leppard?

I’m not sure if it’s Def Leppard on the shows we’re doing, or it might be Tom Keifer from Cinderella, who’s a fuckin’ star, he’s so good. He really is, he brings it every single night. And they’ll give us three or four shows, and if it does well, maybe we’ll get more, but I know we’re doing that. The next task at hand for Enuff Z’Nuff is Europe. We leave on the 27th of March and we go to Europe headlining a tour all the way through April, which is great for us – longest tour we’ve ever done in Europe. So that’s the next thing we’re going to be doing as a band, with real focused guys. You know, back in the old days, it was an ounce of cocaine, it was Jack Daniels, it was a pharmacy full of pills…but these guys are focused, they want great shows every night, and I think we really deliver it. You come out and see Enuff Z’Nuff, we’re going to bring back those memories – the first time you fell in love, the first time you fucked, whatever it may be, the first time you were happy in life and you went to a rock show. And that’s what we bring every single night, I think. I’m looking forward to working the rest of the year and supporting the Clowns Lounge record along with our catalog, and I can’t thank the fans enough for supporting us all these years, it’s 28 years now for Enuff Z’Nuff while the average life expectancy for any band’s about 5, so for us to still be out there’s a miracle and I thank the fans.

And thank you, for taking the time to talk with me.

Thank you very much.


Keep up with Enuff Z’Nuff via their official website.

Concert Review: L.A. Guns at M15

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L.A. Guns (Left to right: Michael Grant, Johnny Martin, Shane Fitzgibbon, Tracii Guns, Phil Lewis)
L.A. Guns (Left to right: Michael Grant, Johnny Martin, Shane Fitzgibbon, Tracii Guns, Phil Lewis)

The M15 in Corona, CA set the stage for one of the earliest 2017 stops along the L.A. Guns’ Phil Lewis and Tracii Guns Reloaded Reunion Tour – makes for a mouthful, but the long title is just to clear up which lineup audiences will be getting, considering there have been multiple versions of the band in the past. No longer should any questions remain as to who’s who in L.A. Guns. From stage to studio and everywhere in between, the current lineup of Phil Lewis (vocals), Tracii Guns (guitar), Michael Grant (guitar), Johnny Martin (bass), and Shane Fitzgibbon (drums) is locked and loaded (or should I say “cocked and loaded”?) as the latest and official L.A. Guns.

The buzz of a crowd excited for the reunion of a lifetime could be felt through the mountainous Corona air on January 28th…or maybe that buzz really just had something to do with the M15’s bar. Either way, this band knows how to make a thoroughly dramatic entrance. They start out by stepping onto a darkly lit stage accompanied by Ozzy Osbourne’s “Diary of a Madman”, building up a tension which finally explodes into the first notes of Hollywood Vampires opener “Over The Edge”. The song has something of a fresh energy to it, as you hear Tracii putting a new twist on some rhythms while joining with Michael for dual guitar lines that get even better by the moment, Phil perfectly blending melody with pure aggression from a vigorous voice, and a jam-like ending where Johnny and Shane add some interesting lines and fills of their own. This is the ideal opening song for a lineup that’s still somewhat new, as it showcases all the band members’ unique touches right from the start.

“Electric Gypsy” was next on the setlist, a song that embodies the spirit of rock’n’roll on the road, followed by “Killing Machine”. This might be considered among the heaviest of the L.A. Guns discography/rep, and it’s a great track to throw an almost thrashy metal edge into the mix. It’s not only the fast-paced music that gives it such a tone, but the hard-hitting vocals delivered by Phil ensure an impact. “One More Reason” gives Johnny a chance to step forward and take it away with the unmistakable opening riff, while “Bitch Is Back”, “Sex Action” and “No Mercy” – three songs that seem to represent so perfectly the attitude of L.A. Guns – all pack a punch through a new spin on these debut album tracks.

“Kiss My Love Goodbye” drew a great reaction from the audience, who were then brought from this grooving sort of blues into a heavy rocker powerful enough to wake the dead – “Don’t Look At Me That Way” was perhaps met with the most excitement from Phil himself, who exclaimed his love for the song while Tracii picked with precision the melodic opening notes. Next up was “Malaria”, the song best known for its mesmerizing theremin solo (fun fact: Tracii just happens to have Jimmy Page’s original theremin) which also featured some standout drum work from Shane and strong vocal harmonies across the board.

The Guns left the stage for a few at this time, but no matter how great of a show they just put on, it clearly wasn’t enough for the crowd – and who wouldn’t be thrilled to see “The Fabulous L.A. Guns” return for an encore with “Never Enough”? With a packed floor and even tables of people dancing and cheering with hands and horns in the air, this song made for an all-out party, but the night still wasn’t over yet. It seems like “The Ballad of Jayne” never fails to be met with passionate (and sometimes off-key – I can say that because I’m guilty of it myself) singing along from an audience, but just in case the ballad happened to relax anyone a bit too much, the ripping riffs and roaring screams of “Rip and Tear” tore through those daydreams of Jayne to make sure everyone was left fully energized. The spotlight was all on Michael this time, taking his place at the front of the stage and shredding away to the front row’s delight. The ending of “Rip and Tear” seemed like a culmination of the skills and talent overflowing from the stage all night – even while the song grew faster and faster, not one musician could’ve missed a beat as they’re all perfectly in sync, bringing the show to a grand impressive close.

Much excitement surrounds L.A. Guns lately, both radiating from the band itself and the crowds who come to see them. A new album is set to be released via Frontiers Music Srl later this year and the release date is projected to be around early summer. The Missing Peace has already been revealed as the title, and indeed, some “peace” is just what might have been missing between a certain two rockers for some amount of years…but that doesn’t seem to be the case anymore. They’re quite the pair of dynamic and immensely talented musicians who can captivate an audience with ease, and on top of that, their on-stage interaction shows nothing but good spirits, all smiles, and just plain fun. There’s no question that fans are thrilled to know that Phil Lewis and Tracii Guns are indeed back together again. L.A. Guns is a group in tip-top shape and it will be great to see what else the future holds. With so many tour dates on the horizon, it’s looking like this band “can’t stand still” til they’ve “seen the world” – and the world is just as happy to see them.

Phil and Tracii 3

[All concert photos ©Metal Magnitude 2017. Please do not copy or use without permission.]

For more on L.A. Guns, the place to visit is the recently created Facebook page for the current lineup, which you can find right here:

https://www.facebook.com/LAFknGuns/

Concert Review: Randy Rhoads Remembered

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Marquee outside the Yost Theater
Marquee outside the Yost Theater

BashFest 2017, a yearly event coinciding with NAMM, a time when the cream of the crop comes to town in terms of musicians and you just never know who you might spot. A short distance away from all the Anaheim NAMM goings-on, Santa Ana’s historic (and maybe a little haunted, depending on who you ask) Yost Theater was the setting for this year’s festivities. Randy Rhoads Remembered was the focus on January 19th, bringing in Hard Rock and Metal musicians from around the country to pay tribute to a legendary guitarist whose music has had a significant impact on so many lives.

The night also featured a Red Carpet Reception, which I found to be essentially a whirlwind of interviews, grabbing musicians left and right (not literally, of course) to catch a few words on how they felt about the event, their goings-on at NAMM, and anything else on the latest in their lives that we could fit into a very brief talk before they had to head inside and get ready for the show.

After an intro, “S.A.T.O” was the first song to kick off the event, with Marzi Montazeri alongside the house band of Dewey Bragg on vocals, Phil Soussan on bass, and of course, one of BashFest’s founders, Brian Tichy on drums. Tichy, along with BashFest co-creator Joe Sutton gave a few introductions before bringing out Rudy Sarzo, and the immensely talented bassist who played alongside Randy took his place in the house band. He and Phil Soussan were both filling the bassist role that night, switching out occasionally throughout the show. Rowan Robertson, former Dio and current Bang Tango guitarist, was the next guest to join the house band, for “Believer”.

Eddie Trunk hosting
Eddie Trunk hosting

Eddie Trunk took over hosting the show next, the night after he hosted another event honoring Randy Rhoads, with an induction into the Hall of Heavy Metal History. He and Brian Tichy introduced each of the guests before they came onstage. Later on, Eddie decided to head out so that he could make his radio show in the morning, then Joe Sutton took over the hosting role for the rest of the night. I had the chance to speak with Eddie Trunk on the red carpet, and he had some great things to say about the Hall of Heavy Metal History as well as Randy Rhoads Remembered – you can read the interview right here.

The Madmen with Richie Faulkner
The Madmen with Richie Faulkner

“I Don’t Know” that anyone could have missed Richie Faulkner as the Judas Priest guitarist took to the stage for the Blizzard of Ozz opener, just before the Rhoads Family, Randy’s brother and sister Kelle and Kathy, appeared to speak about their brother. I got to ask them both a few questions on the red carpet, and here are some highlights from Kelle:

“We’re really happy about doing this again. We were trying to figure out in the car on the way over here if this was third or the fourth one, it probably is the fourth one, and they’ve all been in Orange County or thereabouts, and we also took this show on the road and toured with it twice, and we also played on a ship – like Monsters of Rock, but it was the Axes and Anchors tour. So we’re real happy and real proud to be part of this.” When asked about his performing in the concert, he said, “I sing, and then at another point in the show I play keyboards. I’m primarily a composer of classical music, but for years and years I also sang in rock bands. So once in a while, they pull me out of retirement, and they let me hobble on stage and do my thing, and then I get the cane”.

 

All joking aside, Kelle did indeed come back out for a keyboard solo of his own, before bringing his own full band on later for a rendition of some Randy Rhoads-era Quiet Riot songs – “Killer Girls” and “Back to the Coast”.  I also spoke with Kathy Rhoads, who had a gracious response about her feelings on the show: “It’s always an honor to represent my brother, I never get tired of it. The people are so receptive and they just love him so much still, after all these years. It just truly touches my heart, and it’s just amazing. It really is very heartfelt for me. Very bittersweet, but very touching.” I mentioned that it certainly feels that way for the fans as well, to which she added, “The fans are the best. The Randy fans are just so wonderful, there’s just no words sometimes”.

The Madmen house band gained an additional member when it was time to break out the keyboards – Steve Ferlazzo (who’s played with both Nuno Bettencourt and Gary Cherone and also founded the Lucky Strike Soundcheck) came out for the intro to “Mr. Crowley”, for which Mike Orlando also joined in. The humorous “No Bone Movies” brought out Chas West on vocals and Michael Angelo Batio on guitar, followed by Angra’s Marcelo Barbosa’s time playing “Tonight”, Kelle Rhoads’ keyboard solo, and August Zadra (Dennis DeYoung Band) doing “Revelation Mother Earth”. Phil Soussan also took a moment at the mic to offer some kind words and praise to Rudy Sarzo.

Crazy Train
Crazy Train

It was only a matter of time before the show went all aboard the “Crazy Train”. There are some people out there who might say the track is overplayed or overdone – but from what I heard, not a single one of them were present in the Yost that night. The moment the first notes of that infamous riff were picked by Skid Row’s Scotti Hill, the crowd’s cheers were enough of an “eruption” to rival that of Eddie Van Halen’s. Scotti expressed a lot of excitement about playing this song. Chas West returned to take on the vocals for this track, one that he mentioned he’d be taking on in my interview with him before the show.

It’s nearly impossible to be in the same room as Ira Black and not hear someone toss the phrase “best hair in metal” around a few times. A word of advice might be “Don’t let the hair overshadow the playing”, but really, that’d be very hard to do once he starts to shred. Ira played “Steal Away (The Night)” and stole the show in the process. Check out a quick pre-show interview here.

By this point, it seemed like Chas West was “here to stay”  – he came back once again to sing “You Can’t Kill Rock and Roll”, this time with Roy Z on guitar. Roy, who’s played with Bruce Dickinson and Halford among others, will be featured on Chas’ new upcoming solo record that’s coming out on Frontiers later this year.

For anyone in the audience who only knew Brian Tichy as a drummer, a big surprise was in store when Deen Castronovo took his place behind the skins and let the multi-instrumentalist BashFest Founder come forth to don a Randy Rhoads-inspired polka dotted flying V and shred away. Tichy was asked on stage which he preferred, drums or guitar, and he confidently proclaimed that he is a drummer; but as soon as the six strings in his hands started to move and form the sounds of “Suicide Solution”, not a bit of doubt could have remained that he is a guitarist through-and-through as well. We spoke about his admiration of Randy Rhoads in an interview before the show.

27 House Band with Michael Sweet, Bill Hudson, Oz Fox
Michael Sweet taking center stage, along with Bill Hudson and Oz Fox as Rudy Sarzo and Brian Tichy hold down the house band

Michael Sweet was next on the list for featured guests, singing “Over The Mountain” alongside fellow Stryper member Oz Fox on guitars together with Bill Hudson – best known for his time with the Trans-Siberian Orchestra. During the red carpet reception, I caught Stryper (including drummer Robert Sweet) for a quick chat right before they went inside, so I asked for some thoughts on Randy Rhoads Remembered. Michael said, “We’re big fans of Randy, very influenced by Randy. We grew up listening to him and he blew us away the first time we heard him. It’s an honor to be here playing a song honoring his life and his talent.” Oz added, “I loved Randy since the first time I heard him on the radio and it just kind of went off from there, you know? It’s been many years of just working hard at trying to figure out what he does. The essence of Randy.” Robert also chimed in, stating, “It seems like yesterday and it’s been over three decades but he was ahead of his time and an innovator, a really incredible guy”. The band also mentioned they’ll be releasing a new album later this year.

From Seven Witches to Sabbath, Jack Frost made an appearance to jam on “Iron Man” and “Children of the Grave”, right after Machine Head’s Phil Demmel played some “Paranoid”.  Nick Bowcott from Grim Reaper took us back from Sabbath to Ozzy’s solo work, wielding a flying V for “Flying High Again”.

The Madmen with Janet Robin
The Madmen with Janet Robin

Janet Robin is a former student of Randy Rhoads and a virtuoso in her own right. She’s played with artists like Lindsey Buckingham and Air Supply, and has a solid solo music career that even includes film and television scoring. A touch of timpani played by Deen and Dewey was brought in during Janet’s time in the spotlight playing “Little Dolls”.

31 Janet Robin

Doug Aldrich has quite a fanbase, as to be expected from such a talented guitarist who’s spent time in both Dio and Whitesnake, not to mention his recent tenure in the Dead Daisies. I caught Doug on the red carpet, and we briefly discussed his NAMM activities (he did some signings with Suhr Guitars and TonePros), the latest with the Dead Daisies (there’s a new live record called Live and Louder on the way, and a new studio record in the works), and of course, the show, to which he said, “I’m feeling good. It’s an honor to be here, Brian Tichy puts this event on and he does a great job with it”. “Diary of a Madman” was the track reserved for Doug’s time on stage approaching the end of the show. This followed a rendition of “Goodbye to Romance” that brought Tichy, Robertson, and Orlando out on acoustic guitars with Neil Turbin and Dewey Bragg taking on the vocals together, while Deen and Rudy handled the bongos and bass. Last but not least was an all-star finale as the song “Dee” not only brought most of the guitarists back on stage to play together, but also brought the concert to a close.

"Goodbye to Romance"
“Goodbye to Romance”

After taking in the whole experience, all I can say is what a night, what a show, and what an icon worthy of being remembered on such a grand scale. It was touching to see the amount of people who gathered in celebration of Randy Rhoads, and to hear the stories that so many musicians had to share of how much he’s inspired them throughout their musical lives.


[All concert photos ©Metal Magnitude 2017. Please do not copy or use without permission.]

Excerpts of the more brief pre-show red carpet interviews have been included in this review, but there were some guests that I got to spend quite a few minutes chatting with. The lengthier interviews have separate pages, and all can be found at the following links, as well as the “Randy Rhoads Remembered” tag.

Scotti Hill
Ira Black
Chas West
Eddie Trunk
Brian Tichy

Randy Rhoads Remembered Interviews: Brian Tichy

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Brian Tichy, best known as a drummer, stepping away from the kit to shred at Randy Rhoads Remembered
Brian Tichy, best known as a drummer, stepping away from the kit to shred at Randy Rhoads Remembered

The red carpet reception before the Randy Rhoads Remembered concert was the perfect opportunity to talk with the founder of the event himself, Brian Tichy. I was able to catch him for a few words on the event and his thoughts on Randy just before the show started.


This is the fourth annual BashFest, a really great event with lots going on, and of course it’s your own creation in Tichy/Sutton Productions. So how does it feel seeing it all come together for the fourth time in a row?

It really is great, this makes it all worth it, because the months prior I’ve been on tour preparing these shows, so to try to do it on tour is a little bit of extra work. But you know, I’m sitting here right now going, “Man, we’re about to do a three-and-a-half-hour rock show all in honor of the mighty Randy Rhoads”. It’s just nice to do, and there’s nothing unique about what I’m doing, everyone on stage feels the same way about Randy. Rudy Sarzo, who is my bud but he’s also got such an amazing history within this show and with Randy, and for him to be here all night is great, and the Rhoads family…it’s just a nice way of saying thanks to Randy Rhoads for what he did for us all. I mean, I have intense memories of the first time I heard him – I was like, “I have to learn how to do this”, I’m a drummer, but I want to play guitar like that. Like everybody in here, that’s why we do it, you know what I mean? And it’s just a fun night out. You’ve got to put a bunch of time into prepping it, making it happen, but if you dot your i’s and cross your t’s, you can usually come across all right.

Well, what you described about the first time hearing Randy, I feel like a lot of people – fans and musicians alike – get that with Randy’s music, just that feeling of…amazement, really.

Well, I’ve done this enough times over the past few years to not have to worry about learning the songs, but even for the first time we did it…I mean, it’s rock drums, so it wasn’t I had to learn some crazy out-of-the-box thing I’ve never done before, but…the songs are in my head from the amount of times I listened to them as a kid. Then when you start getting into rehearsals, I love the rehearsals almost the most because you’re really digging into the music and wanting to make it right with the guests that come in, you know. It’s just fun because it brings me back to what it made me feel like the first time as a kid. It’s really that, you know, seventh grade, eighth grade, being so excited the first time you hear stuff that blows your mind and you realize, this is something I want to aspire to be or try to get there somehow. I didn’t know how, I was a kid, but just being an adult and a professional musician, you just go “Hey, I got some time, it’s a fun idea, let’s do it”.

And it’s fantastic.

But seriously, I appreciate anybody’s interest. It would really suck if we put the show on and nobody cared, you know? It’s nice that usually everybody’s here going “Yeah, I know all about Randy and I know what that music meant”. It’s not that far away from anything in the world of rock, like Blizzard of Oz and Diary of a Madman, those are two of the most iconic Hard Rock/Metal records since they came out. I mean, you go through every band and that’s at the top, you ask anybody, give me your Top 10 guitar records or you know, Hard Rock/Metal guitar records, it’s Randy Rhoads. He’s right there all the time. That’s the kind of impression he had. 25 years old, I’m way older than that now and I’m just like, “That guy did so much in such a short time”. He just devoted everything he had to his art, his belief of what he wanted to be. Even just talking about it makes you inspired.

So true, such an incredible musician.

It doesn’t matter what you do, you just look at a guy like that and it’s like, he had a natural gift of course, but…a lot of guys have gifts, but are you going to know how to use it? Are you going to back it up and support it, you know what I mean? It’s there but you’re never going to really do the right thing with it. He did the right thing with it, every step of the way as far as I’m concerned.

Absolutely. Also, this event is one part of the whole BashFest, you had the Rush Tribute last night, there’s Bonzo Bash tomorrow, and I believe for the House Band, you’re the only one who’s playing all three nights.

Well, I should be because I came up with the ideas (laughs).

Of course!

It’s myself and Joe Sutton, my partner, we did the first Bonzo Bash thing together and we just kind of went “okay, let’s do it again – oh wait, let’s do Randy Rhoads Remembered”, you know? It wasn’t like a big meeting of how to go about the future, it was more like “Well, do you want to do it? I think we can do this”. So being a drummer who loves guitar, I play in the shows as much as I can. So thank you! I’ve got to get ready for the show, we’re playing soon, but thank you for coming. Have fun!

No worries at all, thanks for your time and have a great show!


For the rest of my red carpet interviews from Randy Rhoads Remembered, check out my review of the show as well as the interview page.

Randy Rhoads Remembered Interviews: Eddie Trunk

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Eddie Trunk announcing at the start of the show
Eddie Trunk announcing at the start of the show. Bonus: Brian Tichy getting into the swing of things on drums, Dewey Bragg prepping to deliver some powerful vocals, and Steve Ferlazzo warming up the keys.

Eddie Trunk hosted quite a few concerts in a row during NAMM week, including the Hall of Heavy Metal History and Randy Rhoads Remembered. Despite the stormy night outside on the red carpet, we stepped aside out of the rain for a quick chat about Eddie’s latest radio shows, the Hall, and of course – Randy Rhoads Remembered.


You hosted the Hall of Heavy Metal History last night, great event and the first of its kind. Just wanted to get some of your thoughts on what it was like to host and pay tribute to all those great artists.

It was cool, it was something that was a first time event – I didn’t put it together, it was not my event, I simply hosted it – but I was honored to do it. I think that it’s a good start for something, I mean like anything, the first time somebody does something you learn a lot and you can make some changes and what have you, and I’m going to continue to work with the guy who put it all together to hopefully continue it and make the next one even bigger and better. But I think that for a first time event, it went very well.

I agree, I was there myself and I also think it went well. Speaking of next year, who else might you like to see inducted next year, anyone off the top of your head?

Oh my gosh, so many. I think what was cool about what they did this year was that they put some of the lesser known people in, you know? They put some of the people that don’t really get a lot of accolades and aren’t always right in the front spotlight, and I think that was really cool. So what I think that they should do, and I’m going to suggest this for next year, is there should be categories. In other words, they should have like…“Under the Radar Legend” or, you know…make categories for everybody to put them in these different slots, and then maybe also let the fans decide and vote in some way about who they would like to see go in. So I have a lot of ideas. The guy who ran that whole thing and put it together, he actually lives right by me in New Jersey, so we made plans to get together in the next few weeks and have a meeting to talk about it, and just try to come up with ideas together that could make it better.

Definitely sounds like the start of something really great. I also wanted to ask you, you have your recent show on Volume, you’re still doing Trunk Nation, plus several radio shows, it just seems like you’ve got a lot going on right now.

Yeah, you know, I’m very lucky that after all these decades, I can keep doing what I love. I’m currently doing eight broadcasts a week, I have six live shows on SiriusXM, as you mentioned – five doing rock talk on Volume, one show with music on Mondays, and then I do a syndicated FM show that’s on KCAL here and about 30 other stations, and I do a podcast every week. Eight shows a week is pretty cool, I still have some new TV stuff in the works, hopefully that’ll come through, and hopefully someone will pick up That Metal Show and we’ll do that again. But I’m open to anything and everything, I’m just grateful that for coming up on 34 years, I’ve been able to make this whole business and this music I love my passion, to be able to continue to work in it and help spread the word about it.

Excellent. Lastly, your thoughts on tonight’s event?

Should be great. I’ve known Brian, who’s behind all these things, for a very long time. He’s also from New Jersey like I am, actually from the same town I live in, and I think it’s great that he does this stuff. I didn’t even know I was going to be out here until a few weeks ago and then when he found out, he’s like, “Hey, are you going to be out there?” This was the one night I had off, and he asked me if I’d come and help him host and I said of course. I think it’s going to be fun, so many of these players I know, so it should be a great time.

All right, well, thanks for taking the time to talk with me.

Thank you, appreciate it.


For the rest of my red carpet interviews from Randy Rhoads Remembered, check out my review of the show as well as the interviews page.

Randy Rhoads Remembered Interviews: Chas West

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23 Chas West

Closing out the night of interviews on the red carpet for me was vocalist Chas West. The show was just about to start, so I didn’t want to keep him long, but I did get a little insight on the event, and found out about a new solo record on the way.


I know you only have a minute or so before you have to get inside, so I just want to get some quick thoughts on tonight’s event.

Sure! Oh, it’s great. It’s a great show, you know. I think this is the fourth year we’ve done this now. I didn’t know Randy but I know his family, I’ve gotten to know them pretty well and it’s great. He was a phenomenal guitarist who, in his short life, he did so much, made such an impact. So it’s a real honor to do it. And then of course, tomorrow night’s the Bonzo Bash, and that to me is my five-hour Zep marathon that I sing, right? (laughs) And that’s really from the heart and soul since I played with Bonzo’s son Jason for many years. I think it’s the seventh year we’ve done that now, and we’ve done it on the East Coast also. So it’s great, I love it.

What are you going to be doing in the show?

I’m going to be doing “No Bone Movies”…

Nice! Great one.

I know, exactly! It’s great, ‘cause it’s got a sense of humor about it, right? It’s the English – (mock English accent) “Takin’ the piss right”, as they say. Also, “Crazy Train” and “You Can’t Kill Rock and Roll”.

Some awesome choices there.

Oh yeah, definitely. I’m working on my first solo record too. I signed a solo deal with Frontiers Records, the President of label signed me and in fact one of the guitarists playing tonight, Roy Z, he’s producing and co-writing with me. Brian Tichy, who’s the founder of Bonzo Bash and Randy Rhoads Remembered, he co-wrote two songs with me and is playing drums on it. And my bro Chilli Moreno who plays with Puddle of Mudd and he’s going to be playing the Bonzo Bash tomorrow night, he’s playing the other drums on the rest of the songs. So it’s a real family affair, you know?

That sounds great, I’m glad to know about your new solo record!

Well, thank you. It probably won’t be ‘til the end of the year, something like that. But thanks, I’m looking forward to it.

I’ll be looking out for it as well. I’ll let you go in now, thanks for your time.

Thank you.


For the rest of my red carpet interviews from Randy Rhoads Remembered, check out my review of the show as well as the interviews page.

Randy Rhoads Remembered Interviews: Ira Black

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18 Ira Black 2

Ira Black seems to come along with his own tagline – “the best hair in metal”. With a background that includes bands like Metal Church, Westfield Massacre, Lizzy Borden, and Vicious Rumors, among many others though, there’s no question of his impressive guitar abilities. Ira stopped by the red carpet before going in to take the stage at Randy Rhoads Remembered, and I was able to grab him for a quick interview about the show.


Just want to start out getting some of your thoughts on tonight, what an awesome event, Randy Rhoads Remembered.

Oh man, I’m just blown away by this thing, ‘cause it’s like…Look, the funny thing is, I always wonder about this, someone like Jimi Hendrix who was such a great guitar player, if he hadn’t passed away, would he be as legendary as he is now? And it’s a hard thing to wrap your mind around because basically, these are great players and stuff and a lot of times great players don’t get their accolades until after they pass away, just like a lot of times it’s like that with art – you know, painters and other artists as well. So this is where we stand. Randy isn’t with us anymore unfortunately, and we’re celebrating him. I think when he was alive, he got a lot of accolades and people respected him – people loved Ozzy when he did that material, you know? He came out after Black Sabbath and blew everyone’s mind with this new thing. He merged with L.A., coming from England, that metal scene over there was a little more dirgy and dark, and then he mixed with Randy, who was like a seventies guitar player in L.A. whose music was a little more happy sounding, more energetic, more fun. So to be here in Southern California tonight, and to be part of all this, having grown up listening to this, I’m honored. It’s – “Wow”, you know? Like, pinch myself. What guitar player wouldn’t want to be doing this!

So what will you be performing tonight?

I’m going to be playing “Steal Away the Night”.

It’s Bashfest, so you’ve got the Rush tribute that was last night, Bonzo Bash tomorrow, and Randy Rhoads tonight. Anything else going on in Bashfest for you, Ira?

Well, I played last night with the NAMM Metal Jam with Neil Turbin and Michael Angelo Batio, we opened for the Rush Tribute. And I’ll be here hanging out at the Bonzo Bash too, I’m not playing it – maybe another time, who knows. Zeppelin’s another one of my favorites, of course. Sabbath and Zeppelin, what else do you have? So much comes from that, you know?

Also, when we were talking before the interview I mentioned that I caught you at the Ultimate Jam Night at the Whisky the other night, do you play those often?

Oh yeah, there’s 90-plus that have happened so far and I’ve probably played somewhere around 75 of them. So if that’s a lot, then yes, I do. My girlfriend Jessica Chase, she does all the PR and Social Media for Ultimate Jam Night, and Chuck invited me to play the second Ultimate Jam Night that happened, so I’ve been there ever since that. The first one happened at NAMM two years ago, so two nights ago was Ultimate Jam Night’s Two-Year Anniversary, so there’s a little history on it.

Nice! A lot of great stuff going on and I’m sure you’ve got to head in now, so thank you for taking the time to talk with me.

Thank you, I appreciate it. Have a good one.


For the rest of my red carpet interviews from Randy Rhoads Remembered, check out my review of the show as well as the interviews page.

Randy Rhoads Remembered Interviews: Scotti Hill

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Crazy Train
Scotti Hill (right) in action, jamming on “Crazy Train” during Randy Rhoads Remembered

“Crazy Train” is probably the best known song from Randy Rhoads, so being the guitarist to take it on in a tribute to the great virtuoso himself must be both a thrilling and daunting experience. It certainly seemed to provide nothing but excitement for the musician who took it on at this event, as he was very enthusiastic about the whole thing. Scotti Hill of Skid Row was the man who took to the stage to play this wildly successful hit, and I had a few words with him on the red carpet reception beforehand to get his thoughts on the show.


We’re here at the Randy Rhoads Remembered event, an excellent event to remember an excellent guitarist, so I’d like to ask how you’re feeling about tonight.

I’m very excited, very flattered to be here. I’m usually out on the road when this is going on, so I was thrilled to get a call about a week ago…Brian called me and he’s like, “I didn’t realize you were in L.A.! Come on down and play”. I was like “Wow, what song do you want me to play?”, and he said “Play ‘Crazy Train’”! I said, “Really?! Awesome! I just happen to know that song!” *laughs*

That’s awesome! Well, that song is definitely something to look forward too. Also, you’ll be performing in the Ronnie Montrose Remembered event this weekend as well. Two events in one week remembering two great guitarists, so what are your thoughts on that one?
It’s great, I went and rehearsed last night and, like I said, it’s an honor to be asked to do these things. I used to look through the guitar magazines when I was a kid and just dream about playing with guys of this caliber, you know? I mean, there’re just incredible players here and to get to stand next to Rudy and actually play one of the songs he performed with Randy is really, really cool!

Very exciting. And of course, some other exciting stuff in the area is NAMM, just kicked off. What have you got going on at NAMM?

Well, tomorrow is my browsing day, I’ll be walking around getting my feet tired, and Saturday is my signing day. I’ve got some signings, and I’m going to take care of all that – I’ll be at the Yamaha, I’ll be at Korg, I’ll be at Ace Music – kissing babies, shaking hands, and all that good stuff.

Sounds like fun. Last but not least, a little update on Skid Row and what’s going on lately?

Yes, we’ve made it official, Zp is our new singer, actually. And he’s a great guy, he’s been with us for about a year, playing. We just went under the radar, we didn’t do any press or anything. So we decided to make the announcement the other night on stage in Nova Scotia and it hit the press quick and we’re very excited about it. He’s a brother and we’re happy to have a guy who’s one of us.

Excellent. Definitely looking forward to hearing “Crazy Train” from you tonight, and thank you for taking the time to talk with me.

Absolutely, pleasure to meet you.


For the rest of my red carpet interviews from Randy Rhoads Remembered, check out my review of the show as well as the interviews page.

Hall of Heavy Metal History Honors Icons at Inaugural Induction

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Official Event Artwork
Official Event Artwork

How often can a fan of Heavy Metal music say they’ve seen their favorite band or artist inducted into a Hall of Fame or receiving some recognition on an awards show? Hardly ever, and perhaps not even at all. Fans and enthusiasts of the genre have noticed it…maybe even a few outside the genre have noticed it. Either way, there truly seems to be a lack of attention and appreciation for Metal and Hard Rock, especially when it comes to music awards ceremonies – but the newly established Hall of Heavy Metal History has set out to change that fact. Making a difference in more ways than one, the Hall offers a special place of recognition for figures who have made their mark on the world through Rock and Metal. The first event of its kind, the Hall of Heavy Metal History Induction Ceremony was a night to remember as fans and friends alike gathered on January 18th, 2017 in Anaheim, CA with Heavy Metal in their hearts to honor icons that span many contributors to the genre. Bands, musicians, labels and landmarks alike were among the first inductees to the Hall.

A banner adorning the Hall of Heavy Metal History Stage

Aside from the motivation to provide Metal legends with well-deserved recognition, another force behind the Hall comes from the organization D.A.D. (Drums and Disabilities), a non-profit organization dedicated to help those with disabilities around the world through music therapy – specifically drum therapy. The D.A.D. Program was developed by The Hall of Heavy Metal History Founder and CEO Pat Gesualdo, who had a remarkable story to tell of his own life, and how he overcame many difficulties as a child through the act of learning to play the drums, motivating him to create the program. Even admission to the event served a good cause, as the proceeds went to the Ronnie James Dio “Stand Up and Shout” Cancer Fund.

Formal awards ceremony meets Heavy Metal concert, the event had just the right style, even down to the actual award itself – a small gold bass drum topped with a Flying V, presented proudly by special guest host Eddie Trunk after each acceptance speech. For the most part, the inductees themselves were present to accept their awards, but in the few cases when beloved and departed legends were to be inducted, special guests stepped up to represent them and talk of their lives. The first to do so was Wendy Dio, who gracefully accepted the award given to Ronnie James Dio.

Eddie Trunk hosting the event
Wendy Dio accepting Ronnie James Dio’s Induction

Among the music industry professionals to be inducted into the Hall were Andy Zildjian, CEO of Sabian cymbals, and Brian Slagel, Founder and CEO of the record label Metal Blade Records. Andy Zildjian delivered a spirited speech when he accepted his award. Eddie Trunk sang praises of Metal Blade Records and their integrity in sticking to a single genre of music for many years, then brought out special guest Kerry King from Slayer to introduce Brian Slagel.

Andy Zildjian

Accepting for the Rainbow Bar & Grill was Motörhead and Scorpions Manager Todd Singerman, founder of Singerman Entertainment. There are plenty of stories about the countless hours Lemmy spent at the Rainbow, but he wasn’t the only one. A gathering spot of Rock ‘n Roll for many years, the Rainbow is a true landmark filled with much “Heavy Metal History”, fitting for an induction into the Hall.

Todd Singerman talking about Lemmy’s Lounge at the infamous Rainbow

Who could be more well-suited to follow the Rainbow than Lemmy Kilmister himself? Long-time Motörhead drummer Mikkey Dee was the one to accept the award, and both he and Eddie Trunk had a good amount of entertaining stories to tell for this induction. Lemmy may have been known to say “We are Motörhead and we play rock ‘n roll”, but a place in Heavy Metal History is undoubtedly held by this well-missed icon. This wasn’t the last we saw of Mikkey Dee for the night – he also accepted awards on behalf of both Lemmy and Scorpions, amidst Eddie Trunk’s jokes about the newest member of the Scorpions being the one to accept the award.

Mikkey Dee and Eddie Trunk inducting Lemmy
Mikkey Dee and Rudy Sarzo during the press conference
Mikkey Dee and Rudy Sarzo during the press conference

Mikkey wasn’t the only one who went up to accept more than one award – that task was shared by Rudy Sarzo and Frankie Banali. Rudy himself had an induction of his own, of course, but he also joined Frankie Banali on stage for an emotional speech upon the induction of Quiet Riot, telling stories of his time in the band and how rejoining served as encouragement for him to continue on in music after the passing of Randy Rhoads. Frankie Banali also received an award himself in addition to the one he accepted together with Rudy for Quiet Riot.

Vinny Appice’s induction was an entertaining one, sparked by debates over the true pronunciation of the name “Appice”. Brothers Vinny and Carmine stuck to their guns on their own choice pronunciations (APP-ih-see for Vinny and uh-PIECE for Carmine), but a third brother’s presence at the Hall turned the tables on them both; Frank Appice’s pronunciation of choice sounds a little something like “ah-PEACH-eh”. Fans will make their own decisions on the matter, but one thing for certain is that these siblings aren’t changing their minds anytime soon.

If it’s Vinny you’re asking, be sure to say “APP-ih-see”
Carmine and Vinny Appice doing an interview before the ceremony
Carmine and Vinny Appice doing an interview before the ceremony

The final two inductees tied in very nicely with a certain common factor by the name of “Mr. Crowley”. Those memorable keyboards that open the well-known Ozzy Osbourne song were concocted by none other than Don Airey, whose work can be heard on a remarkable amount of rock and metal records, not to mention his impressive history of touring.

Mr. Airey discussing Mr. Crowley

Last to be inducted but most certainly not least was a musician whose status as a legend cannot be questioned, Randy Rhoads. Eddie Trunk’s comment on how often “Crazy Train” is played at sporting events simply proved a point that Randy Rhoads’ extraordinary talents are heard and enjoyed by listeners everywhere practically all the time. So many people appreciate this beloved icon of rock and metal music, and his posthumous induction was a tasteful and fitting close to the Hall of Heavy Metal History Induction ceremony. The award was accepted by Kelle and Kathy Rhoads, Randy’s brother and sister, who spoke about how they still miss their brother, but appreciate how much love and admiration his fans send his way every day.

The Rhoads Family dedicating the award to their brother

Speeches were not the only sounds to fill the ears of those at the Anaheim Expo Center that night – there were also several bands playing, staying true to form for a Metal event. Before the induction ceremony began, the Ethan Brosh Band opened up the festivities with several original songs, including one which was written in collaboration with George Lynch. If you’ve seen Yngwie Malmsteen or Jake E. Lee’s Red Dragon Cartel out on tour sometime in the past few years, you’ve most likely caught Ethan Brosh as an opener. The guitarist also made a recent appearance on Stryper frontman Michael Sweet’s solo album, One Sided War.

Ethan Brosh Band in Action

Diamond Lane played immediately after the induction ceremony, bringing a taste of their modern L.A. Metal to the stage and keeping up the high spirits of the night. I heard many a good comment from the audience on their performance, and the up-and-comers do seem like a band to keep your eye on.

Between his posthumous induction and proceeds going toward charity in his name, the spirit of Ronnie James Dio was alive and well in the Hall of Heavy Metal History, and the Dio Disciples upheld the remembrance through his music, with an excellent performance by this band described as “Ronnie James Dio’s Band Mates and Friends”. Naturally, Dio Disciples played many well-known Dio classics, but tracks like “Man on the Silver Mountain” and “Heaven and Hell” also slipped into the set, adding a touch of the late great Ronnie James Dio’s time and work in Rainbow and Black Sabbath.

Ross “The Boss” telling tales of Manowar during his acceptance speech

Ross The Boss followed Dio Disciples, a fitting order considering that during his acceptance speech, Ross told the story of how Ronnie James Dio was the one who made the connection between him and Joey DeMaio circa 1980 – the rest is history, as Manowar was formed shortly after. The recently formed Ross The Boss Band gave a strong showcase of the “battle hymns” of Manowar while also making for the only performance that night which featured one of the Hall’s inductees.

On a personal note, I have to say that it was both an honor and a pleasure to be present at the very first Hall of Heavy Metal History. From the moment I first heard of it, I thought the concept was a brilliant one, and it was exciting to witness it all come true to life. I look forward to seeing the event continue for many years, projecting metal history into the future.

Hall of Heavy Metal History 2

Keep an eye on the future of the Hall by visiting the Official Website

Dream Theater Reveals “Astonishing” New Mobile Game

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Image via Turbo Tape Games Website

It’s been a year since Dream Theater released their 34-track, two-act double concept album The Astonishing, and took the entire work out on the road by performing in full on tour. Now, making its debut today is a brand-new mobile game. Sharing a title with the record, this new game will put players right into the storyline of the concept album, as instrumental tracks and clips from Dream Theater’s live shows make appearances along the way in the board game style app. Opportunities to win prizes, such as tickets, backstage passes, and autographed vinyl are also a unique component of The Astonishing Game. 

Released through Turbo Tape Games, the app is now available for mobile devices everywhere, downloadable through the App Store and Google Play

Further information on the mobile game can be found at the following site: http://www.turbotapegames.com/portfolio-item/the-astonishing/

You can find more on Dream Theater, including their current European tour dates, on the band’s Official Website.