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Tool Announces North American Tour

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Photo via Tool's official Facebook Page
Photo via Tool’s official Facebook Page

A small tease of a possible tour was enough to keep Tool fans on their toes, checking the band’s website and social media for an official announcement. As if the word of a new album on the way wasn’t enough to keep the anticipation high, they then announced two festival appearances, and now at last – a nice little list of North American tour dates:

May 24 – Fairfax, Virginia – EagleBank Arena
May 27 – Bangor, Maine – Darling’s Waterfront Pavilion
May 28 – Boston, Massachusetts – Harvard Athletic Complex
May 30 – Rochester, New York – Blue Cross Arena
May 31 – Hamilton, Ontario – First Ontario Centre
June 2 – Montreal, Quebec – Bell Centre
June 4 – New York, New York – Governor’s Ball Festival
June 5 – Pittsburgh, Pennsylvania – Petersen Events Center
June 7 – Clarkston, Michigan – DTE Energy Music Theatre
June 8 – Rosemont, Illinois – Allstate Arena

Some states, such as New York and Illinois, will be seeing Tool for the first time in many years on this tour. Friday, March 17th is when all the tickets will go on sale, and VIP packages are available for Toolarmy members starting Wednesday, March 15th. Tool’s website also mentions the possibility of additional shows being announced in the near future. Keep an eye on the Official Website for the latest news, including further tour dates and updates on the highly-anticipated upcoming record.

Amorphis Releases Tour Announcement Trailer

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Finnish Death Metallers Amorphis have some “breaking news” to announce – their first return to trek across North America in almost ten years. They’ve had a few US shows here and there, yes, but nothing quite like a full-on cross-country tour. 

When they hit the East Coast at first, they’ll be alongside Overkill, Nile and Swallow The Sun. But after that, Overkill and Nile will break off then Amorphis and Swallow The Sun will continue the rest of the way themselves. The most recent release from Amorphis was in 2015, Under The Red Cloud, and Swallow The Sun just had a triple – that’s right, not a single, not a double, but a triple – album release in 2016 with Songs From The North I, II & III. 

Amorphis has released a short trailer showing all their upcoming tour dates as well as a few glimpses at the band behind-the-scenes. It’s available to watch on the band’s official Facebook page here. You can also keep up with the latest on the band on their official website: http://www.amorphis.net.

Original Y&T Guitarist Joey Alves Passes Away

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Joey Alves and Dave Meniketti - photo via Dave's Facebook page
Joey Alves and Dave Meniketti – photo via Dave’s Facebook page

Y&T’s rhythm guitarist from the classic lineup, Joey Alves, has sadly passed away at the age of 63. Joey played in the band from 1974 until 1989, throughout eight studio albums including the band’s debut.
The official announcement came from Y&T frontman and sole surviving original member Dave Meniketti, who posted the following on his Facebook page:

“It’s with great sadness that I write this today. Y&T’s original rhythm guitarist, Joey Alves, passed away at 7:10 this morning at the age of 63. He suffered from ulcerative colitis and other complications that led to his passing. Joey was one of the finest rock rhythm guitarists, and I’ll always remember playing next to him chunking out those monster chords with his classic red double cutaway ‘59 Les Paul Jr. As Ronnie Montrose once said about Joey, “There are rhythm players, then there’s Joey. A class of his own…..”.

He was a fun guy who always played with attitude and conviction, and was responsible for writing some memorable riffs for Y&T over the years. His friendship and presence will be missed. This is a great loss for all the Y&T family and faithful. He now joins Phil and Leonard in rock and roll heaven.
-Dave”

Dave also posted this short message on his Twitter: “Very sad day. Y&T’s original rhythm guitarist, Joey Alves, passed away at age 63 this morning. A rhythm guitar monster & fun guy. RIP Joey.”

On With The Show is the title of an upcoming documentary on Y&T, and Dave Meniketti shared a brief clip of some footage from this documentary, featuring Joey Alves speaking about his time with the band and the bonds formed between the members. You can see the video here.

Late Night with Nicko McBrain 

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Photo via Iron Maiden’s social media

Sounds like a dream come true for Iron Maiden fans, but it’s only partially true. Maiden drummer Nicko McBrain will indeed be on a late night show, but not one of his own. Late Night with Seth Meyers’ The 8G Band often recruits guest performers from various genres of music to sit in with the house band, and Metal certainly hasn’t been overlooked (for once). Dave Lombardo from Slayer, Danny Carey from Tool, and Brann Dailor from Mastodon are just a few of the names that have brought their sticks to the stage and drummed with The 8G house band, not to mention full guest performances from bands like Anthrax and Megadeth hitting the Late Night stage in recent times. 

Monday, March 13th through Thursday, March 16th will be the time Nicko McBrain spends a full four days behind the kit, starting at 12:35 AM Eastern time on NBC. 

Iron Maiden is preparing to head out for the next stage of their The Book of Souls world tour. Europe will see them first in April and May, then the US gets them for the summer, in June and July. The band has also launched an initiative to prevent counterfeit, resold and overpriced tickets on the upcoming UK arena tour. This is helping to provide fans with the opportunity to get to see their favorite band at a fair and true price, and avoiding any scams. You can read all the logistics and details on the Iron Maiden official website.

The full listing of tour dates and tickets can be found here.

Quiet Riot Re-Recording Road Rage

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Photo by Joe Tamel

Don’t you just hate it when you get done recording an album then all of a sudden find yourself with a brand-new singer? Well, that’s what’s happening with Quiet Riot, who completed an entire new album with lead vocalist Seann Nicols with plans for a spring release. But now, the band has made some changes leading to American Idol Finalist James Durbin joining together with drummer Frankie Banali, bassist Chuck Wright, and guitarist Alex Grossi to become the new frontman of Quiet Riot. As a result, all the tracks on Road Rage will not only be re-recorded with James Durbin on vocals, but completely re-written as well. 

Here’s what band leader Frankie Banali has to say about the decision: “After careful consideration, with the support of Frontiers and understanding the appeals from Quiet Riot fans to have our vocalist James Durbin represented on the new Quiet Riot release, we have made the decision to move forward and have James replace all the vocals on “Road Rage” with new lyrics and melodies for a summer 2017 release. Stay tuned!”
It sounds like both the band and the label felt this was the best choice to reflect the newest lineup change, and for Quiet Riot fans, the album should be worth the wait. In the meantime, there are plenty of opportunities to catch the band on the road, with US tour dates spanning the spring through the fall. 

For more on Quiet Riot, including a full list of tour dates, visit the Official Website and Facebook Page.

HIM is No More – Farewell Tour Announced

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Photo via HIM's official website
Photo via HIM’s official website

“It’s all tears” for fans of the Finnish band that has just announced the end of a 26-year-long lifespan. HIM has been around since 1991, and amidst an illustrious career including eight studio albums, were the first Finnish band to achieve Gold status in the US. Frontman Ville Valo, guitarist Mikko “Linde” Lindström and bassist Mikko “Migé” Paananen, who originally formed the band together, have all stuck around as steady members since the start. It’s been four years since the last release, contributing to a long radio silence that’s now culminating in a final farewell.

They won’t be leaving without saying goodbye, however, as a farewell tour sits on the horizon before the group calls it quits for good. Lovers of their brand of “love metal” may want to shout “Please Don’t Let It Go”, but the following statement from Ville Valo seems to make the move final:

“After quarter of a century of Love and Metal intertwined we sincerely feel HIM has run its unnatural course and adieus must be said in order to make way for sights, scents and sounds yet unexplored. We completed the pattern, solved the puzzle and turned the key. Thank you.”

The upcoming farewell tour will span the summer and fall with a few months’ break in between, and this gap might just leave room for some US dates to be announced. So far, the schedule shows that they’ll be covering a lot of ground in Europe then spending a brief time in the UK, topping it all off in London in December. The full listing of tour dates announced to date can be found below:

June 14 – Barcelona, Spain – Razzmatazz
June 15 – Madrid, Spain – La Riviera
June 16 – Santander, Spain – Sala Escenrio
June 17 – Porto, Portugal – Hard Club
July 1 – Helsinki, Finland – Tuska Festival
July 13 – Tuuri, Finland – Miljoonarock
November 24 – St. Petersburg, Russia – DK Lensoveta
November 25 – St. Petersburg, Russia – DK Lensoveta
November 26 – Moscow, Russia – Club Stadium Live
November 28 – Warsaw, Poland – Stodola
November 29 – Hamburg, Germany – Docks
December 1 – Berlin, Germany – Columbiahalle
December 2 – Prague, Czech Republic – Forum Karlin
December 4 – Leipzig, Germany – Haus Auensee
December 5 – Munchen, Germany – Tonhalle
December 6 – Zurich, Switzerland – X-Tra
December 7 – Milan, Italy – Alcatraz
December 8 – Koln, Germany – Palladium
December 9 – Esch-sur-Alzette, Luxembourg – Rockhal
December 11 – Amsterdam, Holland – Paradiso
December 12 – Tilburg, Holland – 013
December 14 – Glasgow, Scotland – Barrowland
December 15 – Nottingham, England – Rock City
December 16 – Manchester, England – Academy
December 17 – London, England – Roundhouse

More on HIM and the farewell tour can be found at the official website here.

L.A. Metal Summit to Bring the Sunset Strip to Tokyo

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L.A. Metal Summit

Makuhari Messe Event Hall in Chiba, Tokyo, Japan will be the site of a groundbreaking event – the L.A. Metal Summit in Tokyo. Boasting headliners that include a former Mötley Crüe member and a reunited Ratt, the show will make for the first-ever festival focused entirely on the Hard Rock and Metal of the 80’s to take place in Japan. The current lineup for this spring festival is as follows:

May 13: Vince Neil, Tom Keifer, L.A. Guns, Faster Pussycat

May 14: Ratt, Sebastian Bach, Slaughter, Enuff Z’Nuff

L.A. Metal flyer

Faster Pussycat shared the above picture on social media that appears to possibly be a release from Live Nation. It gives a little background on the Hard Rock/Heavy Metal/Glam Metal scene that dominated the Sunset Strip in L.A. in the 80’s, then mentions that Europe and South America have always had large metal festivals, and that the US is recently seeing festivals such as M3 and Hair Nation that focus on 80’s Metal, and even an entire cruise just for the genre. The L.A. Metal Summit will be the first event of its kind as an 80’s Metal Festival in Japan.

Some bands on the lineup also have other shows going on that week in Japan, leading up to the Summit – Vince Neil and L.A. Guns will play in Osaka and Nagoya on May 9th and 11th, while Ratt and Slaughter will hit the same venues on May 10th and 12th. So far only a few bands have been announced for each festival date, but there is some small print that states “and more”, meaning this could end up being a fairly large-scale festival lineup.

If you happen to find yourself in Tokyo in May and feel like trying to reach the Summit, tickets will be going on sale on March 15th, and can be found via Live Nation Japan here.

 

Airbourne Pays Tribute to Motörhead in New Video

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Airbourne in “It’s All For Rock N’ Roll”

Australian Hard Rockers Airbourne have got a message to deliver while they’re Breakin’ Outta Hell on their latest studio album. The Spinefarm Records release includes a new track by the name of “It’s All For Rock N’ Roll”, and it’s all about Lemmy. The band has made it known that they forged a friendship with Lemmy through many occasions of sharing the stage with Motörhead. Lemmy made a cameo in Airbourne’s 2007 video for the track “Runnin’ Wild”, and it looks like they’ve included a bit of that footage in this new music video for the Motörhead tribute track.

Airbourne frontman Joel O’Keeffe has some great praise for Lemmy and the band: “When Motörhead played, Lemmy was there for the fans and the fans were there for him. It didn’t matter what was happening in the world at that point, because Motörhead was onstage; the crew had everything dialled in, and the crowd were there and lovin’ it – all for rock n’ roll. Whenever we were on tour, we looked forward to seeing the festival posters with the big Motörhead logo on there, and now there’s just a big black hole. ‘We are Motörhead, and we play rock ‘n’ roll,’ we were so used to hearing that, and when it’s not there anymore, it hits you hard. Lemmy meant so much to us, and so much to rock ‘n’ roll itself…”

Indeed, Lemmy meant so much to a lot of people, which is why many fans can share in the celebration of him through Airbourne’s tribute (that even includes the authentic “bomber” lighting rig). The track is a great one, with a classic rock n’ roll vibe. Check out the video below.

Airbourne has a festival on the horizon, their first time taking to the Main Stage at Download Festival in June. Keep up with the band via their Facebook, Twitter, and Official Website.

Jinjer Delivers Some Extreme Grooves with New Lyric Video

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Jinjer Album

You might say it isn’t that often that you get to hear Ukrainian Groove Metal, but if so, then maybe you just haven’t been listening to enough Jinjer. This band out of Eastern Europe has a unique brand of extreme metal music to present, and they’ve been doing it ever since 2009. The latest we’re hearing from them is a new album on Napalm Records by the name of King of Everything, and a new lyric video has just surfaced showcasing the single “Captain Clock”. You can watch it right here.

The new album as well as other merch is available through the Napalm Records Webstore. The band will be headlining a tour of Europe throughout the Spring, and they’ve expressed plenty of enthusiasm about heading out:

“The upcoming “Against the Stream” tour in March, April and May will be something extraordinary. We will play several songs from the previous album “Cloud Factory”, and one of them is “Bad Water” which we performed live only once in Kiev. Moreover we have made several changes in other old songs, to make them sound even better. And of course we will play KING OF EVERYTHING! We cannot wait when we finally set off on the road.”

An official tour trailer has also been released, showing off some of the band’s music as well as listing the upcoming tour dates. You can find more info on the band, including the full tour listing at their Official Website.

Warbringer Premieres New Track

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Warbringer

L.A. Thrashers Warbringer have thrown a brand-new track at fans, and it hits hard. The band’s debut on Napalm Records (but fifth album altogether), Woe To The Vanquished, is set to be released on March 31st, and the newly released audio offers a sneak peek for what to expect. The album was produced and mixed by Mike Plottnikoff (Fear Factory, In Flames), mastered by Howie Weinberg (Slayer, Pantera) with cover art by the esteemed Andreas Marschall (Sodom, Blind Guardian, Obituary). The new track is called “Shellfire” and is being released on the heels of the record’s first music video, “Silhouettes“. Here’s what frontman John Kevill has to say about the track:

“As we near the release of our fifth record “Woe to the Vanquished” we want to show you guys something that will blow some heads off. We wrote this song with the intention of it being the fastest Warbringer song to date, which it is. The music, composed by Carlos Cruz, is a ripping bombardment of riffs and rapid-fire fills with a crushing detonation of a middle section. The lyrics, inspired by the seemingly endless battles on the Western Front of World War One, are full of anger, bitterness, and sheer horror, as day after day after day, week after week, the guns never, ever stop. Play it loud and take cover!”

If you happened to be wondering what sort of things went into the making of Warbringer’s upcoming release, well, you can easily find out – the band has a making-of video for the record and you can see it right here. You can also head to the Napalm Records Webstore to pre-order Woe To The Vanquished and keep up on the latest with Warbringer, including upcoming tour dates, on their Official Website.

 

Kobra and the Lotus Stream New Track off “Prevail”

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KATL Band

Kobra and the Lotus announced their signing to Napalm Records and teased the prospect of a new 2017 album a while back in 2016, but now the full details and a taste of the record have both been revealed at last. May 12th marks the release date of an album that these Canadian rockers have been hard at work on, entitled Prevail I. The album art has also been revealed, and can be seen below. There is a story behind the new record and its cover art, and frontwoman Kobra Paige is happy to tell it:

“When we are born, we are innocent, pure, and unshaped. This mandala signifies a human at the beginning of it’s journey. Unscathed and beautiful, the mandala is each and every one of us. As this album unfolds, you will notice it’s more than just music. Prevail I is a story of visceral truth and I believe, if we’re really being honest with ourselves, everyone will find their story within it. After all, the battles may differ, but we all started as the same mandala and we are more relatable than we’d like to admit. Our only wish is that you may enjoy the freaking crap out of this album and find comfort in realizing you’re not alone.”
A new single off Prevail I is also streaming now through an exclusive debut on Bravewords. You can listen to the opening track, “Gotham” right here.
Prevail I Album Art
Prevail I Album Art
Prevail I Track Listing:
1. Gotham
2. TriggerPulse
3. You Don’t Know
4. Specimen X (Mortal Chamber)
5. Light Me Up
6. Manifest Destiny
7. Victim
8. Check The Phyrg
9. Hell On Earth
10. Prevail
Prevail I is available for pre-order at the Napalm Records Webstore. For more on Kobra and the Lotus, visit the band’s Official Website.

Interview: Dave DiSarro of Cardiac

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Photo via Cardiac's Official Facebook Page
Photo via Cardiac’s Official Facebook Page

Cardiac is a Hard Rock band on the rise, debuting in 2011 and touring ever since, while releasing a self-titled EP and forming a non-profit music education program along the way. They’ve got some shows coming up in support of Enuff Z’Nuff, and though Cardiac didn’t play that night, frontman Dave DiSarro (front and center in the above photo) was at the Ace Frehley/Enuff Z’Nuff show at the Canyon Club on January 29th. Chip introduced us so I could ask Dave some questions and find out what Cardiac is all about.


Here with Dave from Cardiac at the Canyon Club, I just got finished talking with Chip Z’Nuff and he told me that you guys are going out on tour with him pretty soon, so let’s start by talking about that, how’d that connection happen?

We’ve been friends with Chippy for a while and we were out on tour, me and my drummer were out on the fall tour with them, just working with them and helping them out. We showed them our music and Chip took us under his wing, talked to the booking agent, and we’re going out to Europe and doing all the European dates with them now.

So I’d like to get a little background on your band, Cardiac, about the origins of the band, where you’re from, and what style of music you’re all about.

Basically, it was a concept I came up with and just started writing different stuff…I came from punk and metal genres and I wanted to do something a little more experimental, so I started writing – mostly it was songs I couldn’t put into that kind of style of music, and I was listening to a lot of Brian Wilson at the time, Meatloaf, a lot of Queen, and I wanted to do something to kind of test my boundaries musically and not write pop-punk, punk, or metal. I was starting to learn piano at the same time, so I started kind of just writing piano riffs and stuff like that, and I was taking some of my poetry and putting it behind it, and I came up with the idea to write it up as a story, so now it’s coming out eventually as a 20-song rock opera that we’re calling “Destroy Rebuild”.

Rock opera! Very cool. So the concept of rock opera, what led you to that? Sounds like an intricate sort of challenge to take on.

The songs were all kind of related to each other and it was turning into a storyline form, so I decided I wanted to fill in the gaps and for some reason, I don’t why, I picked 20, I’ve always been very balanced (laughs). And I wanted to picture it as a 10-on-10 double disc album, and that’s how I settled on the number 20. It’s following a character kind of like down to defeat and then back up again on a rise, so it’s ten songs going to the point of no return basically, struggling with drugs, suicide, different things like that with depression, then on the upside of the CD is basically finding your love for life and carrying on again. We’ve been able to use our music a lot, we’ve worked with To Write Love On Her Arms, we’ve worked with MusiCares, Music Saves Lives, worked a lot with Wounded Warriors too. Our first tour actually, we turned six weeks into eight months, and a lot of that was working with benefit shows because, basically nobody knew us, and what we were doing was we were reaching out and we got offered a lot of gigs that were to help out and speak at schools, we worked at a couple homeless shelters too. And we saw that our music was getting in to different crowds that normally we wouldn’t be playing, like sometimes there wasn’t a stage there but it felt good to do it, there were people listening to our music, so we started off with that, and then we started getting into bigger clubs. Actually, the last tour we did was the biggest one we’ve done so far, we were out with The Bangles last summer, and that was an amazing gig to get, it was sold out shows across the East Coast. That was something that really kind of led us to the next thing and now Chip is taking us out and you know, with his help too he’s been pushing us, that’s how we’re doing this interview right now. It’s been amazing to have legendary people that made the hits in the past and are making the hits right now, going out and working, I’m a hard worker and when they’ve been able to see that in us and give us this offering, it’s been incredible.

Sounds like a lot of really great things going on with your band. Now, tell me about this record you just handed me here.

This record is actually the first eight songs that I wrote for the project, they’re not in storyline form, but they’re part of the rock opera. Some of them might be coming out as I write more stuff that fits better into those themes, but this is the first eight, recorded it with some of the best guys I could find in Hollywood at the time. And we just went into the studio with Carmen Grillo from Tower of Power, I had Steve Slate from Slate Audio mix it, and Reuben Cohen from Lurssen Mastering – done everything from Across the Universe to, he’s working on the Beauty and the Beast soundtrack right now – so we had some really great people on our team and we’ve kept them really close to, the same guys we’re going to work with on everything. Gus Crinz is the guy that worked on the three latest singles we’ve got that have come out, we released “Silver Lining” back on The Bangles tour, we had a harder song called “Here I Fall” that we just put out, we had a song called “Half Mast” that I was actually trying to write for Fox Sports and get it placed and we just brought it into Cardiac, it doesn’t have anything to do with the storyline, but it’s just a fun sports song, like a good get-up-and-go anthem. And we have a new single coming out on the way, before we go to Europe, called “I Feel Alive”. We had a different version on this album that is one of the songs I wrote while we were in the studio, after we had already tracked drums and everything, and we decided to just do the piano cut with the violins behind it with a string quartet on there, but we’re doing a full rock version with how it’s adapted into our lives, where it’s a five-minute…basically, guitar jerk-off at the end. (laughs) It’s amazing. It’s a big solo at the end of it and it’s how we close our shows, so we wanted to put that on to the next EP that’s coming out.

I mean, that’s what guitar solos are all about most of the time anyway. (laughs) No, I’m kidding, it’s all good.

Eventually, honestly, once we start kicking ass on some shows and people start knowing our music and hopefully that single gets pushed, it would be one of those fun ones to bring like, a fan up on stage and throw a guitar on him, you know obviously we’ll stay up there, but it’ll be a fun one to pick somebody out of the crowd and bring ‘em up and just let ‘em jam along with us at the end of the set and really get people going.

That’s great, and you have a great enthusiasm about your music, I like hearing about this. So now, of course, we’ve got some great background noise for this interview here, Ace Frehley’s out on stage right now playing, you an Ace fan?

Oh, Ace has been so good to us too. Richie Scarlet on guitar, I love watching him every night, one of the most energetic guys I’ve seen on stage. And I’ve been out with these guys, these guys are fun as fuck, Enuff Z’Nuff has been treating me awesome, they’re fun as hell. [Tony Fennell, who came backstage during this interview chimed in here just to say “Apart from me”.] I don’t know how they perform so good, because we’re out every night, we’re having fun, these guys never shut down without having a good time afterwards, we usually turn in to a karaoke bar at the end or we end up somewhere having fun afterwards. It’s been one of the most fun tours I’ve ever been on. But Ace and the guys have been great, Chris Wyse on bass, really great guy, and Scot Coogan just came up with them on vocals at the end of their set, and he’s a kickass guy too. Everybody on this tour is just really fuckin’ awesome.

Nice. Lots of fun stuff, and I’m really looking forward to seeing the future of Cardiac as well, so thank you for taking the time to sit down and talk with me.

Thank you!


Visit Cardiac’s official Facebook page for more on the band.

Interview: Catching Up with Chip Z’Nuff

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chip-znuff-9

January 29th, 2017, Enuff Z’Nuff hit The Canyon Club in Agoura Hills, CA, as part of their tour with Ace Frehley. A trek across the scenic Pacific Coast Highway plus a hike up some hilly roads is all it takes to get to this venue from Hollywood, and well worth the trip. It was a fun night with a fantastic show, and always great to see Enuff Z’Nuff live. I had interviewed Chip a few months prior, when the band played with Tracii Guns at The Backstage Pass on Long Island, NY. But a new year, new album and new tour have all come about since then, so this show was a good opportunity to catch up with Chip and ask a few questions about what’s new in the world of Enuff Z’Nuff.


Here at the Canyon Club tonight, you just got offstage from playing an awesome set. The last time we spoke was just before the album Clowns Lounge came out and you mentioned 2017 was looking like a big touring year for Enuff Z’Nuff, and it seems like that’s already coming true.

It certainly has, my grandpa always used to say “careful what you wish for”. The record came out early December on Frontiers Records, and it’s basically an archival record as I’ve said before, featuring the original Enuff Z’Nuff and Enuff Z’Nuff as we are today. First single’s called “Dog On A Bone”, came out December 2nd and it’s already gone through its first pressing. It’s selling really well and I’m so shocked because everybody says, well, no one buys records, they just go out and get it on iTunes and Amazon, wherever you can get the record, and just download it. But people are buying the record every single night. We’ve sold out on this tour. We started on the 12th of January, and Ace Frehley met up with us on the 18th. Now I think we’re 11 or 12 shows into the tour with plenty to go as well, and I can’t thank Ace Frehley enough for taking us out. We did the Kiss Kruise, that was terrific, and now Ace takes us out, it’s like this whole thing for Kiss. It’s gone full circle and the shows have been great every single night, they treat us terrific. I couldn’t ask for better buddies to be out on a tour with, and it’s nice to be playing to a thousand people a night.

Sounds awesome, and that is pretty funny – sort of a Kiss theme going on there, from the cruise to Ace Frehley. You mentioned Clowns Lounge was released on Frontiers, and this record label seems to be more and more on the rise every day, such an abundance of rock bands who got their start in the 80’s seem to be releasing new material through them, so can you talk a little about the label? What it was like working with them to release Clowns Lounge?

It was very tedious. The label wanted the record a certain way. I think when they signed the band, they thought we were just going to go in studio and start writing brand-new songs, which would be impossible because this record would cost a hundred grand to make, okay? But I had stuff in the archives, I’d been saving everything that we recorded from the early days, and I was able with the blessing of the good Lord to put together a nice twelve-song record showcasing Enuff Z’Nuff. And after going through weeks and weeks of overdubs, going through mastering back and forth with Frontiers, we finally all agreed upon the record and we put it out, and they licensed it to Japan, which we do very well over there. It’s a worldwide release and we’re getting a lot of press and it seems like everybody’s coming out of the woodwork wanting to help Enuff Z’Nuff. We’ve always been the critics darlings to the press, and people seem to want to help the underdogs, so it looks like this year’s shaping up to be pretty successful for us as far as touring goes. We haven’t played this many dates in I can’t tell you how long. It was always the “weekend warrior”, go out there on the weekends then fly back home, and now to be out there traveling around with the whole band and the small crew is very refreshing.

How much, if anything, of the new record is going to be making it onto the setlist for these recent shows?

Probably the first two singles. When we first accepted this tour with Ace, and Ace asked — he’s like E.F. Hutton, when Ace speaks, people listen — and he said to me, “We’d love you to support us on this tour, we’ll give you a 45 minute set”, I wanted to put the new stuff in there, but no one has the record, it’s too early to put the new stuff in, I thought. My focus was to push the early records that sold a lot, and the first two records were gold records, did very well for us, so I focused on early records – “Baby Loves You”, “New Thing”, “Fly High Michelle”, “Heaven or Hell”, “In The Groove”. I put “Jean Genie” in the set, the Bowie cover because we just lost one of the greatest artists of the last generation, and I just wanted to pay respect to our forebearers and he’s one of them, and it’s on our Covered In Gold record. So, I focused on the first three records basically, and there’s twenty albums, there’s a lot of material to pick from, and we’ll see how the record does. If things pick up and we get a chance to do more touring where we can play full shows, I’ll put those songs in the setlist. “Dog On A Bone” and “Rockabye Dreamland”, those will be the first two songs off the record.

Definitely looking forward to hearing those live, and that was a great setlist you described just now as well. It’s clear that Enuff Z’Nuff fans love to hear the classics you said, “Fly High Michelle”, “New Thing”…but do you personally have a favorite Enuff Z’Nuff song to play live?

I love ‘em all. I really do, I know everybody says about their being able to love all the records, and my answer is no exception. Every single record that we’ve put out I embrace, some more than others. As far as favorite songs to play, I can’t say there’s a favorite. I’m grateful for all the songs that we’ve written, and whatever fans want to hear is what I want to play. That’s why on this tour right here I wanted to focus on the stuff that a lot of people knew, that Sirius radio and other stations around the country have played. And as I said before, we’ll see how the tour goes, if there’s more longer shows, and we get a deeper set, I’ll go farther into the catalog and pick out some great stuff. There’s material off Paraphernalia and the Question Mark record, and the Chip and Donnie record, Welcome to Blue Island, that are great songs – something off 10 maybe, “There Goes My Heart”, ‘cause it’s been in a couple of movies. Focus on the songs that people know about more than anything, it’s not going to be a set of nothing but B-Side songs, because the fans don’t know those songs. Being on tour with Ace Frehley, it’s predominantely a Hard Rock/Heavy Metal set, so I wanted to pick the hardest, strongest songs that we had for that era.

I also noticed your name on the lineup for the Rock and Roll Fantasy Camp in a few weeks. Can you talk a bit about that event, have you ever been involved with it before?

I certainly have, I did it a couple years ago with Cheap Trick and Blue Oyster Cult, it was very successful. The following year, David Fishof from the Rock and Roll Fantasy Camp, who runs the whole thing, says “Want to do it again? I have Paul Stanley and Don Felder from The Eagles.” I said, “I’m in”, before he finished talking about it, I said yes! It was a great show, Steven Adler from Guns ‘n Roses came out, hung out with me and Vinny from Black Sabbath. Great cast of characters on these wonderful moments of Rock and Roll Fantasy Camp because you’re helping make dreams come true for people that have jobs and they never took a chance on doing what we do – there’s quite a risk to doing this gig. The new camp, though, is probably the most incendiary one of all of them. Stone Temple Pilots, Alice in Chains, Buckcherry, Candlebox, Filter, the list goes on of great guys, wonderful bands out there, I’m so blessed and proud to be a part of it. These are all guys that are still going after 15, 20 years, real veterans who’ve written great songs and have left an indelible mark and I can’t wait to get out there and play these Stone Temple Pilots songs and Alice in Chains tunes, it’s going to be great.

Exciting stuff. So, once again and also to close things off, you’ve of course got the tour with Ace Frehley right now, can you just give a little peek, a summary of what else is up next for Enuff Z’Nuff?

I can tell you a couple of things, I know we’re going to go out on the Poison tour with Tesla and, uh…

Def Leppard?

I’m not sure if it’s Def Leppard on the shows we’re doing, or it might be Tom Keifer from Cinderella, who’s a fuckin’ star, he’s so good. He really is, he brings it every single night. And they’ll give us three or four shows, and if it does well, maybe we’ll get more, but I know we’re doing that. The next task at hand for Enuff Z’Nuff is Europe. We leave on the 27th of March and we go to Europe headlining a tour all the way through April, which is great for us – longest tour we’ve ever done in Europe. So that’s the next thing we’re going to be doing as a band, with real focused guys. You know, back in the old days, it was an ounce of cocaine, it was Jack Daniels, it was a pharmacy full of pills…but these guys are focused, they want great shows every night, and I think we really deliver it. You come out and see Enuff Z’Nuff, we’re going to bring back those memories – the first time you fell in love, the first time you fucked, whatever it may be, the first time you were happy in life and you went to a rock show. And that’s what we bring every single night, I think. I’m looking forward to working the rest of the year and supporting the Clowns Lounge record along with our catalog, and I can’t thank the fans enough for supporting us all these years, it’s 28 years now for Enuff Z’Nuff while the average life expectancy for any band’s about 5, so for us to still be out there’s a miracle and I thank the fans.

And thank you, for taking the time to talk with me.

Thank you very much.


Keep up with Enuff Z’Nuff via their official website.

Concert Review: L.A. Guns at M15

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L.A. Guns (Left to right: Michael Grant, Johnny Martin, Shane Fitzgibbon, Tracii Guns, Phil Lewis)
L.A. Guns (Left to right: Michael Grant, Johnny Martin, Shane Fitzgibbon, Tracii Guns, Phil Lewis)

The M15 in Corona, CA set the stage for one of the earliest 2017 stops along the L.A. Guns’ Phil Lewis and Tracii Guns Reloaded Reunion Tour – makes for a mouthful, but the long title is just to clear up which lineup audiences will be getting, considering there have been multiple versions of the band in the past. No longer should any questions remain as to who’s who in L.A. Guns. From stage to studio and everywhere in between, the current lineup of Phil Lewis (vocals), Tracii Guns (guitar), Michael Grant (guitar), Johnny Martin (bass), and Shane Fitzgibbon (drums) is locked and loaded (or should I say “cocked and loaded”?) as the latest and official L.A. Guns.

The buzz of a crowd excited for the reunion of a lifetime could be felt through the mountainous Corona air on January 28th…or maybe that buzz really just had something to do with the M15’s bar. Either way, this band knows how to make a thoroughly dramatic entrance. They start out by stepping onto a darkly lit stage accompanied by Ozzy Osbourne’s “Diary of a Madman”, building up a tension which finally explodes into the first notes of Hollywood Vampires opener “Over The Edge”. The song has something of a fresh energy to it, as you hear Tracii putting a new twist on some rhythms while joining with Michael for dual guitar lines that get even better by the moment, Phil perfectly blending melody with pure aggression from a vigorous voice, and a jam-like ending where Johnny and Shane add some interesting lines and fills of their own. This is the ideal opening song for a lineup that’s still somewhat new, as it showcases all the band members’ unique touches right from the start.

“Electric Gypsy” was next on the setlist, a song that embodies the spirit of rock’n’roll on the road, followed by “Killing Machine”. This might be considered among the heaviest of the L.A. Guns discography/rep, and it’s a great track to throw an almost thrashy metal edge into the mix. It’s not only the fast-paced music that gives it such a tone, but the hard-hitting vocals delivered by Phil ensure an impact. “One More Reason” gives Johnny a chance to step forward and take it away with the unmistakable opening riff, while “Bitch Is Back”, “Sex Action” and “No Mercy” – three songs that seem to represent so perfectly the attitude of L.A. Guns – all pack a punch through a new spin on these debut album tracks.

“Kiss My Love Goodbye” drew a great reaction from the audience, who were then brought from this grooving sort of blues into a heavy rocker powerful enough to wake the dead – “Don’t Look At Me That Way” was perhaps met with the most excitement from Phil himself, who exclaimed his love for the song while Tracii picked with precision the melodic opening notes. Next up was “Malaria”, the song best known for its mesmerizing theremin solo (fun fact: Tracii just happens to have Jimmy Page’s original theremin) which also featured some standout drum work from Shane and strong vocal harmonies across the board.

The Guns left the stage for a few at this time, but no matter how great of a show they just put on, it clearly wasn’t enough for the crowd – and who wouldn’t be thrilled to see “The Fabulous L.A. Guns” return for an encore with “Never Enough”? With a packed floor and even tables of people dancing and cheering with hands and horns in the air, this song made for an all-out party, but the night still wasn’t over yet. It seems like “The Ballad of Jayne” never fails to be met with passionate (and sometimes off-key – I can say that because I’m guilty of it myself) singing along from an audience, but just in case the ballad happened to relax anyone a bit too much, the ripping riffs and roaring screams of “Rip and Tear” tore through those daydreams of Jayne to make sure everyone was left fully energized. The spotlight was all on Michael this time, taking his place at the front of the stage and shredding away to the front row’s delight. The ending of “Rip and Tear” seemed like a culmination of the skills and talent overflowing from the stage all night – even while the song grew faster and faster, not one musician could’ve missed a beat as they’re all perfectly in sync, bringing the show to a grand impressive close.

Much excitement surrounds L.A. Guns lately, both radiating from the band itself and the crowds who come to see them. A new album is set to be released via Frontiers Music Srl later this year and the release date is projected to be around early summer. The Missing Peace has already been revealed as the title, and indeed, some “peace” is just what might have been missing between a certain two rockers for some amount of years…but that doesn’t seem to be the case anymore. They’re quite the pair of dynamic and immensely talented musicians who can captivate an audience with ease, and on top of that, their on-stage interaction shows nothing but good spirits, all smiles, and just plain fun. There’s no question that fans are thrilled to know that Phil Lewis and Tracii Guns are indeed back together again. L.A. Guns is a group in tip-top shape and it will be great to see what else the future holds. With so many tour dates on the horizon, it’s looking like this band “can’t stand still” til they’ve “seen the world” – and the world is just as happy to see them.

Phil and Tracii 3

[All concert photos ©Metal Magnitude 2017. Please do not copy or use without permission.]

For more on L.A. Guns, the place to visit is the recently created Facebook page for the current lineup, which you can find right here:

https://www.facebook.com/LAFknGuns/

Concert Review: Randy Rhoads Remembered

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Marquee outside the Yost Theater
Marquee outside the Yost Theater

BashFest 2017, a yearly event coinciding with NAMM, a time when the cream of the crop comes to town in terms of musicians and you just never know who you might spot. A short distance away from all the Anaheim NAMM goings-on, Santa Ana’s historic (and maybe a little haunted, depending on who you ask) Yost Theater was the setting for this year’s festivities. Randy Rhoads Remembered was the focus on January 19th, bringing in Hard Rock and Metal musicians from around the country to pay tribute to a legendary guitarist whose music has had a significant impact on so many lives.

The night also featured a Red Carpet Reception, which I found to be essentially a whirlwind of interviews, grabbing musicians left and right (not literally, of course) to catch a few words on how they felt about the event, their goings-on at NAMM, and anything else on the latest in their lives that we could fit into a very brief talk before they had to head inside and get ready for the show.

After an intro, “S.A.T.O” was the first song to kick off the event, with Marzi Montazeri alongside the house band of Dewey Bragg on vocals, Phil Soussan on bass, and of course, one of BashFest’s founders, Brian Tichy on drums. Tichy, along with BashFest co-creator Joe Sutton gave a few introductions before bringing out Rudy Sarzo, and the immensely talented bassist who played alongside Randy took his place in the house band. He and Phil Soussan were both filling the bassist role that night, switching out occasionally throughout the show. Rowan Robertson, former Dio and current Bang Tango guitarist, was the next guest to join the house band, for “Believer”.

Eddie Trunk hosting
Eddie Trunk hosting

Eddie Trunk took over hosting the show next, the night after he hosted another event honoring Randy Rhoads, with an induction into the Hall of Heavy Metal History. He and Brian Tichy introduced each of the guests before they came onstage. Later on, Eddie decided to head out so that he could make his radio show in the morning, then Joe Sutton took over the hosting role for the rest of the night. I had the chance to speak with Eddie Trunk on the red carpet, and he had some great things to say about the Hall of Heavy Metal History as well as Randy Rhoads Remembered – you can read the interview right here.

The Madmen with Richie Faulkner
The Madmen with Richie Faulkner

“I Don’t Know” that anyone could have missed Richie Faulkner as the Judas Priest guitarist took to the stage for the Blizzard of Ozz opener, just before the Rhoads Family, Randy’s brother and sister Kelle and Kathy, appeared to speak about their brother. I got to ask them both a few questions on the red carpet, and here are some highlights from Kelle:

“We’re really happy about doing this again. We were trying to figure out in the car on the way over here if this was third or the fourth one, it probably is the fourth one, and they’ve all been in Orange County or thereabouts, and we also took this show on the road and toured with it twice, and we also played on a ship – like Monsters of Rock, but it was the Axes and Anchors tour. So we’re real happy and real proud to be part of this.” When asked about his performing in the concert, he said, “I sing, and then at another point in the show I play keyboards. I’m primarily a composer of classical music, but for years and years I also sang in rock bands. So once in a while, they pull me out of retirement, and they let me hobble on stage and do my thing, and then I get the cane”.

 

All joking aside, Kelle did indeed come back out for a keyboard solo of his own, before bringing his own full band on later for a rendition of some Randy Rhoads-era Quiet Riot songs – “Killer Girls” and “Back to the Coast”.  I also spoke with Kathy Rhoads, who had a gracious response about her feelings on the show: “It’s always an honor to represent my brother, I never get tired of it. The people are so receptive and they just love him so much still, after all these years. It just truly touches my heart, and it’s just amazing. It really is very heartfelt for me. Very bittersweet, but very touching.” I mentioned that it certainly feels that way for the fans as well, to which she added, “The fans are the best. The Randy fans are just so wonderful, there’s just no words sometimes”.

The Madmen house band gained an additional member when it was time to break out the keyboards – Steve Ferlazzo (who’s played with both Nuno Bettencourt and Gary Cherone and also founded the Lucky Strike Soundcheck) came out for the intro to “Mr. Crowley”, for which Mike Orlando also joined in. The humorous “No Bone Movies” brought out Chas West on vocals and Michael Angelo Batio on guitar, followed by Angra’s Marcelo Barbosa’s time playing “Tonight”, Kelle Rhoads’ keyboard solo, and August Zadra (Dennis DeYoung Band) doing “Revelation Mother Earth”. Phil Soussan also took a moment at the mic to offer some kind words and praise to Rudy Sarzo.

Crazy Train
Crazy Train

It was only a matter of time before the show went all aboard the “Crazy Train”. There are some people out there who might say the track is overplayed or overdone – but from what I heard, not a single one of them were present in the Yost that night. The moment the first notes of that infamous riff were picked by Skid Row’s Scotti Hill, the crowd’s cheers were enough of an “eruption” to rival that of Eddie Van Halen’s. Scotti expressed a lot of excitement about playing this song. Chas West returned to take on the vocals for this track, one that he mentioned he’d be taking on in my interview with him before the show.

It’s nearly impossible to be in the same room as Ira Black and not hear someone toss the phrase “best hair in metal” around a few times. A word of advice might be “Don’t let the hair overshadow the playing”, but really, that’d be very hard to do once he starts to shred. Ira played “Steal Away (The Night)” and stole the show in the process. Check out a quick pre-show interview here.

By this point, it seemed like Chas West was “here to stay”  – he came back once again to sing “You Can’t Kill Rock and Roll”, this time with Roy Z on guitar. Roy, who’s played with Bruce Dickinson and Halford among others, will be featured on Chas’ new upcoming solo record that’s coming out on Frontiers later this year.

For anyone in the audience who only knew Brian Tichy as a drummer, a big surprise was in store when Deen Castronovo took his place behind the skins and let the multi-instrumentalist BashFest Founder come forth to don a Randy Rhoads-inspired polka dotted flying V and shred away. Tichy was asked on stage which he preferred, drums or guitar, and he confidently proclaimed that he is a drummer; but as soon as the six strings in his hands started to move and form the sounds of “Suicide Solution”, not a bit of doubt could have remained that he is a guitarist through-and-through as well. We spoke about his admiration of Randy Rhoads in an interview before the show.

27 House Band with Michael Sweet, Bill Hudson, Oz Fox
Michael Sweet taking center stage, along with Bill Hudson and Oz Fox as Rudy Sarzo and Brian Tichy hold down the house band

Michael Sweet was next on the list for featured guests, singing “Over The Mountain” alongside fellow Stryper member Oz Fox on guitars together with Bill Hudson – best known for his time with the Trans-Siberian Orchestra. During the red carpet reception, I caught Stryper (including drummer Robert Sweet) for a quick chat right before they went inside, so I asked for some thoughts on Randy Rhoads Remembered. Michael said, “We’re big fans of Randy, very influenced by Randy. We grew up listening to him and he blew us away the first time we heard him. It’s an honor to be here playing a song honoring his life and his talent.” Oz added, “I loved Randy since the first time I heard him on the radio and it just kind of went off from there, you know? It’s been many years of just working hard at trying to figure out what he does. The essence of Randy.” Robert also chimed in, stating, “It seems like yesterday and it’s been over three decades but he was ahead of his time and an innovator, a really incredible guy”. The band also mentioned they’ll be releasing a new album later this year.

From Seven Witches to Sabbath, Jack Frost made an appearance to jam on “Iron Man” and “Children of the Grave”, right after Machine Head’s Phil Demmel played some “Paranoid”.  Nick Bowcott from Grim Reaper took us back from Sabbath to Ozzy’s solo work, wielding a flying V for “Flying High Again”.

The Madmen with Janet Robin
The Madmen with Janet Robin

Janet Robin is a former student of Randy Rhoads and a virtuoso in her own right. She’s played with artists like Lindsey Buckingham and Air Supply, and has a solid solo music career that even includes film and television scoring. A touch of timpani played by Deen and Dewey was brought in during Janet’s time in the spotlight playing “Little Dolls”.

31 Janet Robin

Doug Aldrich has quite a fanbase, as to be expected from such a talented guitarist who’s spent time in both Dio and Whitesnake, not to mention his recent tenure in the Dead Daisies. I caught Doug on the red carpet, and we briefly discussed his NAMM activities (he did some signings with Suhr Guitars and TonePros), the latest with the Dead Daisies (there’s a new live record called Live and Louder on the way, and a new studio record in the works), and of course, the show, to which he said, “I’m feeling good. It’s an honor to be here, Brian Tichy puts this event on and he does a great job with it”. “Diary of a Madman” was the track reserved for Doug’s time on stage approaching the end of the show. This followed a rendition of “Goodbye to Romance” that brought Tichy, Robertson, and Orlando out on acoustic guitars with Neil Turbin and Dewey Bragg taking on the vocals together, while Deen and Rudy handled the bongos and bass. Last but not least was an all-star finale as the song “Dee” not only brought most of the guitarists back on stage to play together, but also brought the concert to a close.

"Goodbye to Romance"
“Goodbye to Romance”

After taking in the whole experience, all I can say is what a night, what a show, and what an icon worthy of being remembered on such a grand scale. It was touching to see the amount of people who gathered in celebration of Randy Rhoads, and to hear the stories that so many musicians had to share of how much he’s inspired them throughout their musical lives.


[All concert photos ©Metal Magnitude 2017. Please do not copy or use without permission.]

Excerpts of the more brief pre-show red carpet interviews have been included in this review, but there were some guests that I got to spend quite a few minutes chatting with. The lengthier interviews have separate pages, and all can be found at the following links, as well as the “Randy Rhoads Remembered” tag.

Scotti Hill
Ira Black
Chas West
Eddie Trunk
Brian Tichy