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Interview: Billy Childs of Britny Fox at Hair Nation Festival

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Britny Fox Band Photo - Mark Weiss
Photo by Mark Weiss. Left to right: Johnny Dee, Chris Sanders, Billy Childs, Tommy Paris

Britny Fox founding member Billy Childs has been the bassist of the band since its formation in 1985. After the release of four total studio albums over a number of years, the band went on a hiatus of sorts – Recently, they returned and hit the road, playing shows and festivals worldwide with a new guitarist in tow. The evening of the Hair Nation Festival, I was able to catch Billy for an interview, where we discussed the latest with Britny Fox, including the potential for a new album and some of Billy’s activities outside the band.


First off, awesome set from you guys earlier, it was really great to see you out there delivering a great show. How are you feeling after that?

Oh, it was great, man, I wish — we kind of got cut short, I think we only played like four tunes, right? Five or four? I think it was only four tunes.

I wasn’t keeping track since I was enjoying it so much, I’ll be honest. (laughs)

(laughs) Well, thank you. It was short and sweet, I guess.

There you go. So, I want to go back a little to the origins of this lineup, the four of you guys. You know, three originals from other lineups with a new addition to the band, Chris. Can you just tell me more about how you got here to this lineup as it is?

Well, this is essentially…I mean, it was me and Johnny, Michael and Dean started out, you know, then of course, Dean left and that’s when Tommy came in, that’s the Bite Down Hard lineup. Also, we did an album called Springhead Motorshark, which was actually pretty good, man, it was different for us, but it’s not bad, it’s grown on me. So, it was that lineup, and we got back together to do this, basically, and Michael didn’t want to be involved anymore. I mean, people move on, people get older, they have different interests and shit, so…I’d known Chris for about ten years and thought he wasn’t exactly the prototypical guitar player that you would imagine for a band like us, I mean, we’re basically a blues-based Hard Rock band, you know? And I thought it would be neat, I thought it would work out well, and I think it has. I think he fits in good with us, he puts up with our shit, ‘cause we’re fuckin’ crazy, you know?

But fuckin’ crazy can be fun.

It can be fun, it can be rather trying at times too.

True. So, there was some recent talk about a new album coming from you guys, that you’ve been spending time in studio – any further word, where do you stand with that now?

We’re working on stuff, we had offers, but…You know, we have to really want to do it, we’re trying to decide how to do it, like…at this point, doing an album for us? Yeah, it could turn into that, but the amount of work that would have to go in to putting out an album, I mean, we’re used to doing big studio albums, basically, so for us to just throw something together, I don’t think any of us want to do that. So we want to put the time in and make it as good as anything we ever did, we just don’t want it to be half as good as something we did before, quality-wise, production-wise, anything like that. So we’re kind of leaning more toward releasing one song at a time at this point, you know? But really we’re just more concerned with playing and just existing as well, you know, we’re kind of just feeling out what’s happening.

Well, whenever the album gets completed –

It’s an “if”, not a “when”. But we’ll see.

Got it. So the other guys in the band are also doubling in other bands, Johnny with Doro, Chris in Knight Fury, Tommy has Count’s 77, what do you have going on outside Britny Fox?

I mean, we were together for a little over two years before anybody knew about anything, because I was playing with a band called Get The Led Out, which is one of the highest-grossing rock bands in the country at the moment. And I really didn’t think I was going to do this, anytime I had a little bit of time, something got booked, you know? I was playing places like Red Rocks, Wolf Trap…So then, I had suffered an injury, actually, I hurt my back pretty bad. I kept doing Get The Led Out for another eight months after that and it just got to be where I had to shut down for about a year. And I’m getting better, I’m definitely getting better now, but let me tell you, don’t fuck up your back, man, it’s rough.

As long as you’re getting better, though, that’s good.

That’s what I’m hoping.

So there’s something coming up for you guys, The Monsters of Rock Cruise, “Monsterwood” it’s called…is this the first time Britny Fox has done a cruise ship show?

Yeah it is, actually, and it’s the first time I’ve been on a cruise ship show…I don’t like boats, man, I…don’t know.

First time you’ve been on a cruise ship show, or first time on a cruise ship at all?

I’ve never been on a cruise ship, but I’ve been on the big ferries in Europe when we tour over there, and people have always told me “Oh, you won’t get sick on these, dude, these are big like ships” and I’m like “Okay, cool” – I’ve been sick from the moment I got on ‘til the minute I walked off. Now, little boats don’t bother me, I was on the Good Ship Lollipop when I was a kid, you ever heard of the Good Ship Lollipop? That was down in Jersey! I was on that, and I was sick from the moment I got on ‘til the minute I got off. So, I don’t know what it is, I can be in speedboats, I can be fishing in like a bass boat or something, but when you put me in a big boat, man, I get sick. So I don’t know, I’m hoping this one’s different. I mean, this ship looks really big.

Yeah, I haven’t been on one myself, but…I don’t know, hopefully you’ll be all right for it! (laughs)

(laughs) Yeah, I’m kind of scared, I’m gonna have a pocketful of Dramamine, I can tell you that.

So here right now, at the Hair Nation Festival, there’s plenty of bands playing, and I’m sure you guys know a lot of them, was there anyone you were most looking forward to seeing today at this show?

Oh, man, I’ve been seeing these guys a lot for years doing these, I started with Rocklahoma in ’07, and I mean, some of these guys…I’ve known Chip Z’Nuff forever, I’ve done numerous tours with him. There’s so many of these guys, it’s a lot easier for me to list the ones I don’t know than the ones I do know.

Got you. Well, I won’t keep you for too much longer, so to wrap things up here, aside from the album we discussed earlier, can you give an idea of what’s coming up for Britny Fox?

Well, I mean, it’s really hard to say at this point. We want to exist and we want to keep playing shows, and we’d like to record, it just gets down to an issue of whether it’s fiscally possible to do that, you know? It gets to that for everybody. It’s the kind of thing where we’ll hope for the best, but prepare for the worst, you never know. It’s a funny business, man.

Well, I know you said the album was an “if”, so if the album does come about, I’m looking forward to hearing it, and otherwise, looking forward to seeing you guys perform again the future.

Well, thank you, it’s like I always say, the reason that we haven’t released anything is just because our standards are just really high. We don’t want to give up an inch from what we used to sound like. Guaranteed, if you hear something coming out from us, I think you’re probably going to want to hear it, because we’re not going to have it any other way. If it’s not that good, you’ll never hear it.

Awesome. Well, thank you for taking the time to sit down with me, this was great talking with you.

No problem, same here. Thank you.


More on Britny Fox can be found at their website and Facebook page.

Check out my review of the Hair Nation Festival here.

Interview: Bang Tango at Hair Nation Festival

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Joe, Timmy, and Rowan of Bang Tango
Lance of Bang Tango
Lance of Bang Tango

About an hour before their show, I had the chance to sit down and talk with Bang Tango backstage at the Hair Nation Festival. The current lineup of Bang Tango is Joe Lesté (vocals), Lance Eric (bass), Rowan Robertson (guitar), Timmy Russell (drums), and Drew Fortier (guitar). Drew wasn’t there for the Festival, but he (or at least the mention of him) ended up playing a big part in this interview nonetheless.


You’re about to take the stage in just a little while for your set here at the Hair Nation Festival, how’s everything going today?

Lance: We’re doing well. We were here last year, and it’s good to be back again.

Joe: It’s awesome, it’s great to be back here again and this place rocks, everybody’s rockin’. You know, I think everybody in this kind of music, it’s all about love and peace and having a good time and rockin’…Because we’re all at that age where we don’t really have a choice. (laughs) It ain’t like it used to be. But anyway, I’m going to pass it on to Rowan Robertson from Dio.

Rowan: It’s great, it’s really good to see all our friends, and we get to play in front of a killer audience, it’s just a load of fun. We’re happy to be here again for another year.

Timmy: You know what, the rest of the guys all said everything I was going to say, so it worked out, you know?

(laughs) All right. Whenever you guys play a Bang Tango show, is there any one song that you always look forward to bringing to the stage?

Lance: Yeah, for me it’d be “My Favorite 9”, I like that. That song was on an album that didn’t get released in America, but it did really well in Europe, Love After Death. But I really look forward to playing that song, I like the groove of it. Then actually, the song we open up with is really good. So yeah, that’s my favorite. Here’s Tim Russell!

Timmy: Not Tim Russert! You know, I think every song we play is something, that’s why it’s in the setlist. There’s a whole catalog of songs we could play, but we narrowed it down to the ones we like to play live. To me, everything that’s in the set is a favorite and that’s why it’s in the set and I think I’ll say that for everybody. What do you think there, Rowan?

Rowan: Yeah, I like playing them all. One that comes to mind is “Attack of Life”, I love playing that, that’s got a killer Zeppelin-y kind of riff.

And speaking of “Attack of Life”, something I definitely want to ask you about is the Bang Tango movie, “Attack of Life”. How did the idea to make a documentary of the band even come up in the first place?

Lance: A good friend of ours, Drew, actually he’s our rhythm guitarist, he’s not with us today, but…he was a fan of the band and he wanted to start filming us, he filmed it for about four years and he kind of just wanted to document everything. It was in Chicago, a lot of it was recording the Pistol Whipped In The Bible Belt album, and he just got a lot of candid stuff, put together this movie, and we watched it a couple times, got some editing done with it. I don’t even know if it’s really out, it’s kind of just on YouTube now, so…check it out, I mean, it’s fun, it is what it is.

Timmy: Yeah, pretty much what Lance said, it’s on YouTube, and whether or not it’s going to be released…I think it’s still a work in progress.

Got it, so there might be more additions to it, or…?

Timmy: I think there might be some added, new stuff, but you never know. Like I said, it’s a work in progress, I think.

Yeah, so Drew was the one behind it, and he also did the music videos for the last Bang Tango album, right?

Lance: Yeah, there was some footage from that actual movie, he kind of compiled it. We were in the studio in Chicago for about three weeks and he was there every single day. He would bring a couple cases of Stella and a bottle of Jaeger and get us drunk then sit there and film us. (laughs) He followed us around Chicago for about three weeks and got a lot of that crazy footage, but yeah, he did all those videos.

That must have been interesting to have someone who once shot your music videos to then become a member of the band.

Lance: He grew on us. We couldn’t get rid of him.

Rowan: He’s a fun guy.

Lance: He actually is a saxophonist, and we had to teach him how to play guitar because that’s the only position we had to fill…I’m really kidding. But yeah, he grew on us, and we kept him in the band. Unfortunately not with us today, but…he’ll be back.

Joe: All I’m thinking is, we’ve never let some guy we don’t even know talk for our band before.

Timmy: Right? (laughs)

Joe: (to Lance) You! (laughs) He’s just answering stuff, going on like, (mockingly) “You know, then he played saxophone…” (laughs) No, we love Drew, he’s cool, man. He’s a great kid. To be honest with you, it was straight up – he’s such a big fan, and he said he was in a Led Zeppelin cover band, and I went “What do you do?” and he goes “Oh, I’m the guitar player”. And so, we’re fortunate to have him, he’s just not here for these next couple of shows…he’s having a baby.

(jokingly) He personally is?

Joe (seriously): He personally is.

Timmy: It’s an experimental surgery.

Joe: It’s experimental. We said the only way our band could become big is if one of us got pregnant, and Drew stood right up and Lance jumped up first, so…

You’d get a hell of a lot of publicity out of that.

Joe: Well, I don’t know, but…three of us left the room and now Drew’s pregnant. (bursts out singing “You’re Having My Baby”)

(laughs) Oh man. So, Lance, I also want to ask you to talk a bit about your other band, Color of Chaos.

Lance: It’s just an original band back where I live, back home in Phoenix. We’re just having fun writing, guys I’ve known for about twenty years, we’re just having fun playing in Phoenix is all it is. Just regular rock ‘n’ roll.

And another band I want to bring up is Beautiful Creatures, anything going on with that lately?

Lance: This one’s for you, Timmy.

Timmy: Oh boy, I got to answer the Beautiful Creatures questions? You know, we haven’t done anything with Creatures in many years, so…there’s really not much to talk about. Joe, you want to elaborate on that at all? It was something we did and…how long’s it been, now?

Joe: Oh, it’s been years. We don’t have any plans for that at the moment, because we’re currently writing a new [Bang Tango] record that we’re really happy with, and Rowan and I and the rest of the guys said, “Let’s go with more of a Beautiful Creatures vibe on this one”. And it’s still me singing either way, but this one has more of an edge to it, and I think it sounds badass. We don’t have anything to play for anybody, but I just know that’s the direction I can give you, that vibe for now. (mock announcer voice as he hands microphone to Lance) And back to you, Bob.

Actually, Rowan, I wanted to ask you a question too – of course, you’re in Bang Tango now but you used to be in Dio –

Joe: What?!

— I was just wondering if you’d heard anything about the Ronnie James Dio hologram, and I’d like to get some of your thoughts on that.

Rowan: Oh, well, I saw it on YouTube and I think it went great. I’ve heard a lot of positive things about it, it looked like it was a big success to me. Yeah, I think it’s a great idea.

And coming back to today since we’re here at the Festival, are there any other bands, any of your friends that you guys were really looking forward to seeing today?

Rowan: I wanted to see Yngwie, ‘cause I’m a guitar nerd.

Lance: Nerd!

Rowan: But I don’t think we’ll be able to since we’re doing an interview around then. I wanted to see Loudness, I think they were playing – weren’t they playing?

They were playing but something happened – I don’t know what – and they’re not on the lineup now.  

Rowan: Aww, yeah.

But Enuff Z’Nuff is taking their place.

Rowan: Oh! Okay.

Lance: Cool.

Timmy: That’s fantastic!

Joe: Hell yeah.

Rowan: But yeah, anyway, we know loads of these guys so it’s all like one big reunion.

There you go. Well, that’s about all I’ve got for you guys, so thank you all for taking the time to sit down with me for this interview.

[The interview came to a close here, with assorted “thank you’s” from the band.]


For more on Bang Tango, head to the band’s website and Facebook page.

Check out my review of the Hair Nation Festival here.

Interview: Todd “Chase” Chaisson of Tuff at Hair Nation Festival

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Cover of Tuff's album featuring recent lineup and look - Todd pictured left.
Cover of Tuff’s album featuring recent lineup and look – Todd pictured left.
Early afternoon at the Hair Nation Festival, Tuff was one of the bands that kicked off all the action. Later that night, I got an interview with Tuff bassist and founding member Todd “Chase” Chaisson and we talked about everything from Tuff to Todd’s bass-playing family and his food truck – featuring a surprise guest appearance.


Festivals seem to be what’s going on with Tuff lately – you had 80’s in The Park last month, Farm Rock coming up, Monsters of Rock Cruise next month and of course you’re here at Hair Nation Festival today. Pretty busy schedule, you guys pumped to be out there playing these festivals?

This is kind of like our bread and butter. Tuff doesn’t tour all year long, say, for example, like a Faster Pussycat or whoever. We do 15, 20, 30 dates a year and they’re all flyaway dates, because I live in Cleveland, the band’s based out of Los Angeles, so…I fly in, we do this type of show, I go back to Cleveland, I come back, we do the Monsters of Rock Cruise, I fly and go back, we do Farm Rock…it’s that kind of thing. I love this, which is good for me, and good for us. We’re not an everyday band anymore as far as touring or being active that way. So I love this, this is my kind of jam, and we have a private space where we can do our thing, run away and do our life thing, come back and do this thing, so it’s all good.

Good, so you prefer this kind of thing rather than touring regularly?

You know, if I was 18, I’d love to be touring regularly, or if I was 25, or whatever age is appropriate to be out there just hammering it down, but I’ve done that. Tuff is about to be thirty years old, so I’ve done this a long time. And for me, it’s good to do the flyaway dates. Being in this environment doesn’t bother me, it’s not that it’s bothersome for the band, we love this, we feed on this, but you know, we’re not the biggest band in the world. Tonight was probably the biggest stage we ever played on. So to come out and do these shows is the perfect environment for us, we do this 20-30 times a year, and it works out just great.

Awesome. So you mentioned Tuff is about to be 30 years old, doing anything special for the 30th Anniversary at all?

Probably spaghetti and pizza.

You know what, that’s always great, though.

…which is great for me. But, I mean, I don’t know. Everybody wants to know if we’re going to do another record, or if we’re going to do new music, and…it’s always on the table to do something like that, but when people come to see Tuff, they want to hear what they know Tuff for. So they want to hear “American Hair Band”, “All New Generation”, “Good Guys Wear Black”, stuff like that, so we feed them what they want to be fed, and we do the job that needs to be done.

So I do want to ask you about your musical background, what got you into music originally, pre-Tuff and all, how’d you get into it?

I come from a trilogy of bass players, so…I’m the baby, my brother just older than me is Kenny, he was in Keel, and my oldest brother Greg is in Badlands. So, all of us bass players all the time. My oldest brother Greg, who, in my opinion, and probably in a lot of people’s opinions, is the greatest bass player in the world, to me, for heavy metal. You know, there’s Billy Sheehan, there’s Geezer Butler, and there’s Greg Chaisson. Greg, who just beat cancer. He had Stage 4 cancer recently, and he beat it.

That’s amazing that he beat it, wow.

He’s a tough guy…no pun intended.

Hey, “Tuff”, right. (laughs)

Right. But, it all came from him, so you know, he grew up listening to Sweet, or…not really sure what Greg’s playlist is. He did something on Facebook where he listed all of his favorite bass players, of which I don’t know any of them because mine are a second generation after that, like…Michael Anthony, Geezer Butler, Steve Harris, those are my guys. And probably many of Kenny’s guys too – Greg’s a different generation beyond that, before us. But if I see Greg playing bass, I’m just like “Are you fucking kidding me” – and this is Howie Simon!

[At this moment, the trailer door opens and guitarist Howie Simon pokes his head in and proceeds to give me a stare I can best describe as a glaring side-eye of suspicion…this was the exchange that followed:

Todd: Hi, Howie, come on in! You need a refresher.

Howie: No, no, no, I just…I saw people in here, I’m making sure nobody’s stealing…

Todd: Howie came in here earlier and there was a bunch of people in here stealing all of our gear.

Me: Oh my God, really?

Todd: (shakes his head “no”)

Howie: Yep, that’s why. I saw something, and…

[Howie’s suspicious glare intensifies as a long silence ensues and grows more awkward by the moment]

Todd: (laughs)

Me: (laughs) …All right. Listen, I’m okay, you can trust me.

Todd: I can’t wait to see the translation of this from audio to…however this is done.

Me: It’s going to be transcribed. I’ve got to figure out a description for that look.

Todd (while grabbing his phone): Right? Hold on, Howie, come here!

[Todd is now trying to get a picture to capture “that look” while Howie is leaving the trailer, protesting and refusing to let Todd take the picture. Todd eventually wins and gets a picture, but promises that it’s just for himself. Howie has now left, and Todd and I proceed with the interview as we were.]

Todd: 80’s Hair Metal…well, Howie’s actually not Hair Metal, Howie sat in with us this weekend, he’s from Alcatrazz, and he’s a guitar shredder legend type of guy, so he’s awesome. He’s sitting in with us this weekend, and he’s going to do some shows with us in December, so this is…my first experience dealing with Howie on the road.

Got you. Well, I think you’ve learned a little something now – don’t know what, but…

Well, he’s protective, so I like that.

That’s good, yeah. He’ll watch your gear for you.

So, how I came to be in music? It was a rainfall of brother to brother to brother, we’re all bass players, and I couldn’t be more fortunate.

Todd, in addition to playing in Tuff, you’ve also got a food truck, Smokin’ Rock n’ Roll, talk to me about that, how’d you get started with it?

Well, Smokin’ Rock n’ Roll is me and Billy Morris. Billy Morris was the guitar player in Warrant for ten years, he lives in Cleveland, he was Jani Laine’s best friend and he’s now my best friend. Jani, unfortunately, is gone and I’ve stepped in and taken Billy’s heart, Billy’s my boy. So I moved to Cleveland five years ago after living in LA for 25 years, I met my wife on tour in Cleveland, and then we moved back to Cleveland after living in LA for a number for years. So, we’re in the studio doing some Tuff stuff, and talking about food, and I’m…not bragging, but I’m a fantastic home cook. I can do some shit. And Billy’s a fantastic home barbeque guy, so we talked and I had a concept for a food truck, he had a concept for a food truck, and together we came up with Smokin’ Rock n’ Roll. Actually, that wouldn’t be fair – he came up with Smokin’ Rock n’ Roll and I said I can work with that. So Smokin’ Rock n’Roll’s all about Heavy Metal, or Hard Rock – 80’s Hard Rock – and food. We’ve got sandwiches called the Master of Piglets, Look What The Pig Dragged In, Judas Beef, The Boss, Fleetwood Mac-and-cheese, stuff like that.

That’s cool, I was looking at the website and saw those on the menu, and I thought, “Okay, now that is really clever”, I wanted to ask you, who came up with the names, was it you two guys together?

A little bit of us, but probably, I’ve got to give credit to my wife. She’s very creative so she comes up with a lot, like, we have a mascot, the truck is all outlined with a pig and fire and guitars and stuff, so she’s like, “We should call him Shredder”, since we shred pork, and I’m like, “That’s great!”. But our top dish, our signature dish is our Judas Beef, which is two beef brisket sliders with honey red cabbage, horseradish aioli and peppered pickle chips. And they’re awesome. So, the food truck thing, me and Billy, we love cooking, we love music, so how could we combine the two things we love together, and take that to the street ‘cause we’re street guys. You know, music is being on the street, and food is being on the street these days if you’re going to do the food truck. The food truck has been wildly successful for us.

There’s a food truck rock carnival in New Jersey this month, the second year of it, any plans to check that out at all?

I would love to do that, but we’re so busy in Cleveland that I don’t have to go anywhere. And Cleveland is the Rock ‘n’ Roll Hall of Fame Capital of the world, which is weird because when we’re in Cleveland, there’s some trucks that have a slight rock ‘n’ roll theme to them, but nobody is really doing the rock ‘n’ roll thing, so Billy being the guitar player for Warrant for ten years, me being the founding member of Tuff, combining all of that into Iron Maiden and Judas Priest, and beef and pork, and all of that stuff, we really don’t have to go anywhere because we’re busy 80-120 hours out of the week.

That’s great, and busy equates successful in most cases, so that’s a good thing.

We’re very successful and we’re blessed. Billy’s not with us this weekend, normally Billy would be with us. It just so happens that Billy has to run the truck, and I’m here. So Billy will do the Cruise with us in two weeks, The Monsters of Rock Cruise, and Howie won’t be with us, but right now Howie was available. So, Billy’s running the truck, I’m doing the band thing, but it all rolls back into the joint partnership of Smokin’ Rock ‘n’ Roll, Tuff, Warrant, Heavy Metal, and food.

So back to this festival, today, did you have a chance to check out any of the other bands, and I’ve actually been asking everyone this but, anyone you were looking forward to seeing today?

You know, I really wanted to see Vain, but we’re on a rotating stage on the Main Stage, so they were on right after us, so I did not get to see Vain, which was disappointing. I’ve seen all these guys and, we were talking with the guys from SiriusXM earlier about what it means to be here and be involved in this, and it’s like a family reunion. I can walk up and down this trailer park, and I’ll see Chad from Faster Pussycat, I’ll see Chip from Enuff Z’Nuff, I saw Bret Michaels on the side of the stage, who wrote a song on our record. So, we see all these guys, I mean, I look forward to seeing all of them, but everybody’s here working, so…there’s not really a chance to break away and go see anything. If I’m going to be honest, the only band I took a minute to go see was Pretty Boy Floyd. Steve [Summers] and Stevie [Rachelle] are really good friends, and I love Pretty Boy Floyd, so that’s really the only band I got to see tonight. I wanted to see Vixen, I really wanted to see Yngwie, but we were doing the meet-and-greet, but I just want to see Yngwie tear that shit up.

Yngwie’s amazing, honestly.

I can imagine! I’ve never seen him! And he was on during our meet-and-greet, so I did not get to see Yngwie.

And I actually had another interview during Yngwie’s set, so I missed most of it. I’ve seen him once before though.

I’ve only seen him on YouTube, you know, doing orchestra shit and stuff like that, and I’m just like, “Ohhh, I can’t WAIT to see Yngwie” but then…meet-and-greet…

Oh, so close yet so far. Isn’t the meet-and-greet area right around there too?

Well, we were probably sitting right behind him, but I couldn’t hear him because, you know, there’s just a line of people coming down. But, you know, I love to see Vixen, and…any band on the roster here tonight, I would love to see. But the only band I cut out in literally two songs worth of time was Pretty Boy Floyd.

Well, at least you caught some of something you wanted to see.

Yeah, but Yngwie would have been at the top of my list. Him and Kix, which we’re probably missing right now.

Oh yeah, Kix is out there now.

But, I’m with Kix in Dallas in December, so I’ll catch up.

So just to close things off, give an idea of what to expect coming up from Tuff in the near future.

Again, we’re a part-time band at this point, so, Stevie has his life…me and Stevie are Tuff, so we do our 15-30 shows a year, and we’re doing Hair Nation live right now, Monsters of Rock Cruise in a week and a half from now, Rock ‘n’ Skull in October…and that’s what we do. We could write new songs, but they just want to hear “Hair Band”, “All New Generation”, “I Hate Kissing Goodbye”, and I’m happy to play those songs whenever I get a chance to do that.

Nice. All right, thanks for taking the time to talk with me.

Thank you.


Find more on Tuff at their Facebook page and website.

Check out my review of the Hair Nation Festival here.

Metallica Appears on Jimmy Fallon

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Photo by Andrew Lipovsky/NBC
Photo by Andrew Lipovsky/NBC

Between a recent Central Park concert and private Webster Hall club show, Metallica has been spending some time in the New York area lately – on September 29th, the band stopped by the NBC studio with a new track entitled “Moth Into Flame” on The Tonight Show with Jimmy Fallon. “Moth Into Flame” is off Metallica’s upcoming double album, Hardwired…to Self-Destruct, which was announced last month and is set to be released on November 18th via Blackened Recordings. The band also took part in a web exclusive feature “Tales from Tour”, sharing stories from the road: the video is on the Tonight Show Starring Jimmy Fallon YouTube Channel.

You can watch Metallica’s performance of “Moth Into Flame” in the video below:

 

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Hammerfall and Delain To Co-Headline 2017 Tour

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Napalm Records labelmates, the Swedish Heavy Metal band Hammerfall and Dutch Symphonic Metal band Delain, will head out on the road in spring of 2017, co-headlining a North American tour.

Hammerfall will be supporting their highly anticipated tenth studio album and Napalm Records debut Built to Last, which will be released November 4th. On the upcoming tour, Guitarist Oscar Dronjak says, “We haven’t done a proper tour in North America since 2010, so I hope the fans realize how unique this is for both us and them. This is very exciting! Get ready for one hell of a heavy metal party each and every night!”

Delain has recently released their well-received album Moonbathers, and will incorporate songs from the record for the first time on this tour, while still including fan favorites in the set. This will also be the first time that fans will be treated to a proper Delain headline show, as explained by frontwoman Charlotte Wessells:

“We are proud to announce that we will embark on our first ever co-headline tour through the US in April/May 2017 with Hammerfall! After extensively touring the US on several support runs in the last years we’re excited to hit the road in support of our new album Moonbathers and offer our US fans the full Delain experience. Check out the dates below and let us know where you’ll be attending…See you on the road!”

Hammerfall and Delain Co-Headline Tour Dates:

4/19/17 – Toronto, ON – The Opera House
4/20/17 – Quebec City, QC – Imperial de Quebec
4/21/17 – Montreal, QC – Foufounes Electriques
4/22/17 – Worcester, MA – The Palladium
4/24/17 – New York, NY – Stage 48
4/26/17 – Baltimore, MD – Soundstage
4/27/17 – Cleveland, OH – Agora Ballroom
4/28/17 – Chicago, IL – Concorde Music Hall
4/29/17 – Minneapolis, MN – The Cabooze
5/1/17 – Denver, CO – Gothic Theatre
5/3/17 – Edmonton, AB – Starlite Room
5/4/17 – Calgary, AB – Dickens 1000
5/5/17 – Vancouver, BC – Rickshaw Theater
5/6/17 – Seattle, WA – El Corazon
5/8/17 – San Francisco, CA – Social Hall
5/9/17 – Los Angeles, CA – Whiskey a Go Go
5/10/17 – Anaheim, CA – City National Grove
5/11/17 – Tempe, AZ – Club Red
5/13/17 – Dallas, TX – Trees
5/14/17 – San Antonio, TX – Alamo Music Hall
5/15/17 – Houston, TX – Scout Bar
5/17/17 – Tampa, FL – Orpheum
5/18/17 – Atlanta, GA  – Variety Playhouse

Tickets for all shows are available now and can be purchased at: http://www.enterthevault.com

Enuff Z’nuff To Release New Studio Album

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Enuff Z’nuff is set to release a studio album this year on Frontiers Music Srl, their first in 5 years. Clowns Lounge is a collection of rarities and early demos that have been reworked and re-recorded by the current lineup of the band and will be released on December 2nd. A guest appearance from the late Jani Lane of Warrant and James Young of Styx is also be a part of this collection.

Some background on this upcoming release:

“We had unfinished, unreleased material in the vault, and I went back into the studio in Chicago and started working on all the songs. Guitars, bass, vocals, it all needed to be tweaked, and with help from Chicago Recording Company and Chris Steinmetz of Stonecutter recording studios, we were able to create another rock solid record. It is basically an archival record featuring [the] original band and Enuff Z’nuff as it is today. The record showcases the best elements of Enuff Z’nuff in the early days; in your face glitter rock with pop overtones. This is a true must have rock record for the diehard Enuff Z’nuff fans worldwide.”

Chip Z’nuff on the songs: “Donnie and I wrote the songs in the later part of 1988-89. They were recorded in Lake Geneva, Wisconsin, on 2″ inch analog tape, during the time of our debut. The tracks were never finished, as we were very prolific and focused on laying down as many ideas as possible. Through the resources provided to us: recording studio, production, etc., we had a plethora of songs during that era and for one reason or another this batch slipped through the cracks. To restore the record we returned to the studio to record guitar, bass vocals, etc. which took us about six weeks in my studio and at CRC (Chicago Recording Company) along with Stonecutter studio in downtown Chicago. The skeleton of the song was already in place and we wanted to make sure the record had the feel of where the band is today. We also added a bonus single track (Dog on a Bone) that we plan on releasing as the first single.”

Mention of the classic lineup of Enuff Z’nuff naturally brings to mind vocalist Donnie Vie, who also contributed substantially to Clowns Lounge record. “Donnie and I wrote the songs together, as we have on all the Enuff Z’nuff albums. In 2013 Donnie left the band, disillusioned by the business and facing related health issues, and although he will not tour with the band he still shares in our vision of putting out great music. As he is dealing with his medical condition, we have his blessings on the record and moving forward with me as lead singer. When Peter Gabriel left Genesis, Phil Collins took over lead vocal duties. That is exactly the template we used here as now I front the band and look forward to moving it into the future”, says Chip.

Clowns Lounge Track Listing:

1. Dog On A Bone
2. Runaway
3. Back In Time
4. She Makes It Harder
5. Rockabye Dreamland
6. The Devil Of Shakespeare (Feat. Jani Lane and James Young)
7. Radio
8. Good Luv
9. Round And Round
10. Nothing
11. Backstreet Kids
12. One More Hit

Enuff Z’nuff is touring through 2017 in support of the album, including dates alongside Tracii Guns then Ace Frehley. All tour dates and more info can be found at http://www.enuffznuff.com and you can follow the band on Facebook and Twitter.

Barb Wire Dolls Premiere New Video

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Barb Wire Dolls
Photo by Hannah Verbeuren

Rising Greek Rockers Barb Wire Dolls have planted roots on the Sunset Strip of L.A., as their newly premiered music video for the song “Heart Attack” portrays their hard-hitting live shows at the legendary Whisky A Go Go. You can watch the video, directed by L.A.-based writer and photographer Steve Appleford, right here.

Among a select few bands handpicked by Lemmy to be a part of the Motörhead Music label roster, Barb Wire Dolls have been creating a buzz since their formation, selling out club dates across the world, including the Roxy Theatre immediately after their arrival in Hollywood. The band also performed at Germany’s Wacken Open Air earlier this year.

Barb Wire Dolls’ new album Desperate is out now on Motörhead Music/UDR, and features the “Heart Attack” track. Digital downloads are available on iTunes and Amazon and the album is also available on Vinyl LP or CD here.

For more information, head to the Barb Wire Dolls’ Facebook, Twitter, ReverbNation page, and/or Official Website.

Operation: Mindcrime – “Resurrection” Released

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Operation: Mindcrime

Resurrection, the new album from Geoff Tate’s band Operation: Mindcrime, is now available via Frontiers Music Srl. It’s been one year since Operation: Mindcrime released their debut album The Key, and Resurrection follows suit as the next part of a musical trilogy.
Geoff Tate has referred to the album as “the second act of a three-act presentation”; read an interview with Geoff Tate right here on Metal Magnitude.

ResurrectionTrack Listing:

1. Resurrection
2. When All Falls Away
3. A Moment In Time
4. Through the Noize
5. Left For Dead
6. Miles Away
7. Healing My Wounds
8. The Fight
9. Taking On The World (Feature Tim “Ripper” Owens and Blaze Bayley)
10. Invincible
11. A Smear Campaign
12. Which Side You’re On
13. Into The Hands Of The World
14. Live From My Machine

Resurrection features a recording lineup that includes:

Geoff Tate – Vocals, Keyboards, Saxophone
Kelly Gray – Guitars, Bass, Vocals
Scott Moughton – Guitars, Keyboards
Randy Gane – Keyboards
Dave Ellefson – Bass
John Moyer – Bass
Simon Wright – Drums
Scott Mercado – Drums
Brian Tichy – Drums
Tim “Ripper” Owens – Vocals
Blaze Bayley – Vocals
Mark Daly – Vocals
Nick Greatrex – Guitars

Geoff Tate will also head out on the road this Fall alongside Tim “Ripper” Owens and Blaze Bayley for the Trinity tour. Show dates announced so far are as follows:

11/18/16 – The Montage Music Hall – Rochester, NY
11/19/16 – Mulcahy’s Pub and Concert Hall – Wantagh, NY
11/20/16 – Sellersville Theater – Sellersville, PA
11/22/16 – The Westcott Theater – Syracuse, NY
11/23/16 – The Chance – Poughkeepsie, NY
11/25/16 – Tupelo Music Hall – Londonderry, NH
11/26/16 – Rams Head On Stage – Annapolis, MD
11/27/16 – BB Kings – New York, NY

For more information, go to Operation: Mindcrime’s Official Website and Facebook page.

Overkill – New Single Snippet

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Overkill Our Finest Hour
Photo via Nuclear Blast
The upcoming release of The Grinding Wheel – a new album from the legendary East Coast Thrashers Overkill – was recently announced, and an official snippet of the first single has surfaced to give fans a taste of what to expect. Courtesy of Nuclear Blast Records, the 30-second snippet of “Our Finest Hour” is available here. The full song is to be released on November 4th, during the first week of Overkill‘s European tour. The single will be available as a 7″ vinyl, in black, clear, green, and splatter designs, and can be pre-ordered at the Nuclear Blast Shop online. The Grinding Wheel is set for a February 2017 release. 

Overkill frontman Bobby Blitz said, “Looks like the ‘machine’ is up and rolling, but for all good things we wait. The delay for The Grinding Wheel will take us to 2/17, at the start of the US tour… but fear not, the Euro tour will happen and happen with some new music! Friday Nov. 4th, we will let go of the first cut; “Our Finest Hour”, available on various colors of vinyl along with some ear shattering madness. We will also have it with us on the road to quench your thirst and fill the hunger. So you heard it here first and you can hear more live the first time on tour! To the road, onward and upward into ’17!” 

New Jersey natives Overkill will appear at the three-day Rock Carnival in Lakewood, NJ as part of Saturday’s lineup, then head out on a European tour. All dates can be found at the Overkill Official Website.

Letters From The Fire – New Lyric Video and Tour Dates

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Letters From The Fire have released a new lyric video, which premiered via New Noise, for a song off their debut album Worth The Pain. The song is “My Angel” and you can watch the video here.
This is the fourth lyric video to come from the band’s debut album, and plans are in the works for new visuals for the remaining eight songs through November. Head to their YouTube channel to see the rest.

Letters From The Fire’s debut Worth The Pain was released via Sand Hill Records earlier this month. Check out my review of the album here.

Letters from the Fire are currently supporting Art of Dying on tour, which runs through October 22. They will next join a tour co-headlined by Failure Anthem and Through Fire, which runs through November 9. All tour dates can be found at http://www.lettersfromthefire.net.

ONI Signs With Blacklight Media/Metal Blade Records

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Rising Progressive Metal band ONI has revealed the news of their recent signing to Blacklight Media/Metal Blade Records. Blacklight Media is a new label launched this past February by Chris Santos, executive chef and managing partner of the New York City restaurants VANDAL, The Stanton Social and Beauty & Essex, in partnership with Metal Blade Records CEO/founder Brian Slagel. Santos states, “One of the things that I think will make Blacklight Media a label to watch for years to come is the diversity of our roster. ONI is our first crushingly heavy signing that matches their heaviness with incredible progressive precision and classically brutal breakdowns. I’m very excited to have them as part of the Blacklight Media family!”

Vocalist Jake Oni adds, “We are excited to announce our signing with Blacklight Media/Metal Blade Records. It is an honor to be on the same roster as so many amazing bands. With the support of this legendary label at our side, the world is ours!”

ONI‘s first full album Ironshore will be released on Blacklight Media/Metal Blade Records on November 25th, with pre-orders available in early October. The album will feature the single “Eternal Recurrence”, a track that’s been buzzing in the Metal world since its release earlier this year, alongside a music video.

ONI is set for an upcoming performance at this year’s Knotfest featuring a special guest appearance by Lamb of God‘s Randy Blythe. The band will then join up with Max & Iggor Cavalera’s “Return To Roots” tour and perform on select dates through October 21. Following that tour, ONI will join the “I Worship Chaos” Tour line-up, beginning November 23 and featuring headliners Children of Bodom and fellow special guests Abbath and Exmortus.

You can find ONI on FacebookTwitterInstagram and YouTube to keep an eye on the latest leading up to the album release. 

Xandria Reveals Details on Upcoming Album

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Xandria Band Photo
Symphonic Metal band Xandria has unveiled the title, cover art and release date for their upcoming album – Theater of Dimensions will be out worldwide on Napalm Records, January 27th, 2017. 

Xandria gave an extensive comment detailing the ideas and origins of Theater of Dimensions: “After the release of  Sacrificium we embarked on our longest Tour so far. Over 150 shows that took us around the globe. Through so many different countries and diverse cultures. Through so many different, yet inspiring dimensions. We brought back plenty of memories, sometimes just bits and pieces, but those stuck to our heads. And it made us see who we are and where we wanted to take our music. Made us fearless. Made us push our boundaries once more. Made us cross some so-called genre defining borders. Made us bundle all our trademarks and take them to the next level. All this makes the most colourful Xandria album so far. It contains our most heavy and most emotional moments. Again, producer Joost van den Broek did a phenomenal job capturing the atmosphere down to every detail. “A Theater of musical Dimensions”. Can’t wait to share the songs with you…”

Xandria Theater of Dimension
Cover Art via Xandria Official Website

The band has also launched a Stagelink campaign, giving fans the opportunity to vote for the location of stops along the band’s 2017 tour. Xandria will be on the road around the world starting next month. Head to http://xandria.de for tour dates and more information.

Evil Invaders Release New Music Video

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Evil Invaders
Belgian Heavy Metal Band Evil Invaders have a 4-track EP coming out September 30th on Napalm Records, In For The Kill. A music video for the track “Raising Hell” was released via Decibel Magazine and you can watch it here.

Evil Invaders Frontman Joe says, “Raising Hell is one of our most energetic songs so far! It’s about life on the road where there’s no time to slow down. Take Motorhead on full fucking speed and you have it! For the video we decided to work with a live setup that reinforces the power, speed and adrenaline that this song already contained. So get ready to get your guts blown out and Raise some fuckin’ hell!”

The new EP will be available on the Napalm Records online store and the band’s webstore – find it here.

Evil Invaders will head out on tour in October with Suicidal Angels, Skull Fist, Crisix, and Mortillery. Tour dates and more info at the band’s official website.

Interview: Geoff Tate

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Photo via Operation: Mindcrime Official Website
Photo via Operation: Mindcrime Official Website
Operation: Mindcrime, the band fronted by iconic vocalist and former Queensrÿche frontman Geoff Tate, is set to release Resurrection, the second part of a trilogy preceded by last year’s debut album The Key, on September 23rd via Frontiers Music Srl. A new music video for the track “Taking On The World”, featuring Tim “Ripper” Owens and Blaze Bayley on vocals alongside Geoff Tate, premiered last week on Billboard. Just before the video’s release, I had the chance to speak with Geoff on the phone for a in-depth interview where we talk music, the new album and video, Disturbed, upcoming tours, and more.


I’d like to just jump right in here talking about your new album Resurrection – this is, of course, the second part to the Operation: Mindcrime album trilogy. Would you say that Resurrection picks up where The Key left off?

Yeah, exactly. It’s the second act of a three-act presentation.

And the two singles that have been released, “Left For Dead” and “The Fight”, are what fans have heard from Resurrection so far – talk to me about these tracks, and what would you say that you want someone listening to these songs to get out of them?

Each song is like a scene from the album. If you can equate it to a film, then each song is a scene. The scene on the song takes you into what’s happening in the story, so each song is sort of what leads you to the next. And I think with music, people take from it what they can or what they will. It’s a very personal experience, I think. You listen to it with your own personal filters based upon what your musical influences are, what your life is like…how the words or the melodies affect you in some way is based typically on how you’ve lived your life, you know?

Definitely. So then, for you personally, what are some things that went into these tracks?

Well…besides the usual blood, sweat, and tears? I guess a lot of thought. The whole trilogy album storyline music-wise, it all was a “hit me in the head like a two-ton heavy thing” kind of experience where, I’d been wanting to do a trilogy for quite a while and I liked the idea of doing a story in three acts, but just didn’t have the story for a long time. But I kept it in the back of my head until the story hit me and then when it did, I had to write in a frenzy that lasted months and months because we wrote all the materials for the albums and put a recording team together and recorded everything at once. It was a lot of work – a lot of very enjoyable work – but all at one time.

Got it, so the whole trilogy is essentially done at this point, it’s just that we’re not getting to hear it until later on, right?

Yeah, a good year of listening to it kind of familiarizes you with it so then you’re ready for the next chapter, so to speak.

There you go. Now, there are some other great musicians besides yourself who play alongside you on the album, so talk to me about some of the guests, and how were some of these connections made to the point of them playing on your album?

Well, Kelly Gray, of course, was my long-time collaborator, we’ve been working since 1979 on writing and performing together. He contributed production, mixing and guitars, and some bass on some of the songs and vocals on some other songs. Scott Moughton on guitar, bass, keyboards…Randy Gane on keyboards, myself on keyboards and saxophone. John Moyer, Dave Ellefson played bass, Simon Wright, Scott Mercado and Brian Tichy all playing drums…and then Mark Daily, Blaze Bayley on vocals and Tim Owens also on vocals.

Right, so what are some of your past musical experiences with them, what led you to bring them into this project?

These are all people that I’ve played with over the years and knew well and admired their playing and attitude, their general outlook on music. I felt like I could get really great performances out of them easily, without a lot of stress. And these are all really great players who, you just sit them down, play the music for them, and they’re going to add something really special to it. You kind of give them a background on what you’re trying to accomplish, you paint the scene of the song like…“This song has a chaotic feeling, you want to generate this feeling of uncertainty because the character is going through this questioning time of trying to figure out what he’s going to do with his life, any ideas on chaos?” You know, and maybe Brian will kick out this snare drum pattern thing that was real frenetic and that would inspire Kelly to put this guitar line to a section. It was all very inspirational.

Sounds like a very interesting and creative process there. And of course, you mentioned Tim “Ripper” Owens and Blaze Bayley, they’re some guest vocalists and the three of you are going out on tour in the fall on the “Trinity” tour. So how did this Trinity project come together, was it because of their involvement in Operation: Mindcrime?

Yeah, they sang on the track “Taking On The World” – which we just actually finished a video for that – and we had such a great time laying down tracks for that song that we decided “Hey, let’s put some dates together and go out on tour”. So we found some dates at the end of the year that work for all three of us and we’re bringing the Trinity project to stages around the world, starting in the Northeast around Thanksgiving.

Now, you were also touring earlier this year with Operation: Mindcrime, and your touring lineup so far has been a bit different from who’s on the recording, so would you say that Operation: Mindcrime essentially has a rotating lineup overall since there’s so many guest musicians?

Yeah, it’s kind of an open roster of people, really based upon their availability at a given time. You know, everybody has musical commitments that are important to them, and things they have to do, so we kind of work around each other’s schedules somewhat and try to put together a great band of all the different people who played on the record in order to present the record as best we can.

Still on the note of touring, you’ve got the Shiprocked cruise next year, you’re appearing at that show as well, how do you like the cruise ship scene when it comes to shows?

I think if there’s a stage, lights, and a sound system, I’m pretty comfortable anywhere in the world – a cruise ship, a flatbed truck, a club, an arena – you name it, I’ll play it.

Nice, so it’s pretty much all the same to you, as long as you can get out there and perform, it doesn’t necessarily matter what the setting is.

It really doesn’t, no. Just as long as people gather together to listen to music and be involved with it, that’s the place I want to be.

I also just want to circle back to what you said just now about the music video that’s just been completed, could you tell me a little bit more about it?

We shot it here in the Seattle area and it was a fun video, and I don’t know if it was fun simply because of the context or the people involved. I just know that we had a great time, we had a lot of laughs and it was a very fun project to do and I think the outcome of the video turned out great, I’m very happy with it. Actually, it’s the first video I’ve ever done in my career where the director sent it to me and…I liked it, without having any changes done to it. (laughs) It was quite surprising, actually. You know, typically you have comments like “Oh, is there another shot you can put in, a different camera angle here?” or “Can we have a different intro?” or something, you know. This was really good right from the beginning, and I’m very happy with it.

Well, that’s great to hear – I look forward to seeing it! You’ve also got something coming up at the end of this month, a record release party in Germany, and what’s interesting about that is it’s also going to be an open acoustic set for people to join in and jam with you. I just think that’s a cool idea, have you done this sort of thing before?

Not like this, but yeah, I do a lot of acoustic jamming. It’s fun, and really kind of…it’s tradition, it’s music tradition. I’ve always had this kind of open door policy when I’m playing shows that if a musician that I know is in town touring, I’ve always invited them to the show – you know, “Hey, come on and sing a song with us” or “come up and play an instrument with us”. People ask me that all the time when I go to their shows too, I just performed a song with Disturbed a couple weeks ago and that was really fun when they came through town. I think it’s just a fun thing for musicians to share music and if you admire that musician and you like what they’ve done, or you’re moved by a particular song that they do, I think it’s a wonderful thing to share that time, you know?

Absolutely, and bringing in that acoustic, unplugged kind of dynamic brings another feel to it as well. I know earlier this year when I caught one of your tour dates, you did this whole acoustic section of the show, and I found that to be interesting, it was a nice break in the action but also satisfying.

Yeah, it’s a nice dynamic change. It also kind of brings the song back to its origins, because almost every song is written on an acoustic guitar, or piano and voice, and it’s nice to bring the song back to its original format.

And it’s also a sort of look into the thoughts of the musician who wrote it, I think, because you’re stripping away all the effects and things and just getting to the real roots of the song itself.

Exactly, and it’s always been real interesting to me how you can take any song, and you can play it with different instruments, and you can still tell what song it is. Even though maybe it’s a guitar-heavy song, but you take the guitars all the way out of it and just have like, a bass guitar or piano and voice, and you still have a song there, it still stands on its own, you know?

Definitely, music is a powerful thing.

It is.

Again, just to circle back to something you said, you mentioned playing with Disturbed, how you had a little guest appearance during their set, how’d that come about that you joined in on that show?

Well, they asked me, I didn’t just jump up there. (laughs)

(laughs) Well, yeah, I didn’t think it was anything like that – you just randomly appearing like “Hey guys. I’m singing now.” (laughs)

“Hey Dave! I’m coming up!” (laughs)

“Ready or not!”

(laughs) Yeah. No, I was going to the show and they asked me if I wanted to sing – I couldn’t turn them down, that’s a great band, and wonderful experience playing with those guys.

And then, of course, John Moyer from Disturbed has also been working with you on Operation: Mindcrime as well.

That’s right. John’s a great player, and fantastic guy to have at your side when you’re doing anything, just incredible. Incredible personality.

Staying on the topic of Disturbed a little longer, their cover of “Sound of Silence” has been getting such great reception lately, a lot of people have rave reviews of the track – what’s your take on it, have you heard it?

I heard it the night they played it in Seattle, and it was very cool. Very cool track. I like it when people do remakes of other songs and give it their own twist, their own personality and interpretation, I like that.

Back to Operation: Mindcrime, I’m sure you don’t want to give too much away, but can you give an idea of the status of the next and final part of the trilogy?

Well, it’ll be coming out around this time next year, I can tell you that much.

And do you have any plans or ideas yet for beyond the trilogy?

That’s still a couple years out. You know, we’ve got this whole year, 2017 touring cycle, and then the release of the third album in the fall of 2017 and then touring all through 2018…so that’ll bring us up to 2019, so to answer your question, no. (laughs) I don’t have any solid plans that I can talk about yet.

Well, I mean, touring up to 2018 sounds like some solid plans already. So are you going to gradually incorporate each album into the set of the tour as you go along?

Probably a few songs here and there. I tend to like to play…well, I’d love to play all my new albums, I think every artist would, you’re excited about your new work, but the audience isn’t quite ready for it yet. You know, it takes people a while to acclimate to your music, so I work in a few songs from the new record throughout the tour, but mostly it’s focused on the past work. And then by the time you come around next time, you can add more songs, just because they’re more used to the new album released a year ago.

Well, it sounds like a lot of good things to come for the future of Operation: Mindcrime, some great things to look forward to, including the album release later this month. Thanks for taking the time to call, Geoff, this has been excellent speaking with you.

My pleasure, Chelsea, thanks for the interview.


To keep up on the latest news with Operation: Mindcrime, head to the official website: http://operationmindcrime.com/ and Facebook page.

Rock Carnival Schedule Released

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The Rock Carnival at Lakewood, New Jersey’s FirstEnergy Park will kick-off in two weeks and the official three-day festival schedule, complete with set times for all stages and artists, has been revealed. The Second Annual Rock Carnival was announced earlier this year with Alice Cooper headlining Friday’s show, Twisted Sister closing out Saturday night in their final Tri-State area appearance and farewell performance, and last month, Sunday headliners Halestorm and The Used were added to the lineup. Some new Sunday lineup additions have been made, including The Apocalypse Blues Revue, featuring Godsmack’s Shannon Larkin and Tony Rombola, as well as local mainstay and Bon Jovi touring guitarist Matt O’Ree. Zakk Sabbath, featuring vocalist/guitarist Zakk Wylde, bassist Blasko, and drummer Joey Castillo will perform Black Sabbath classics on Friday night.

Music will take place on multiple stages, including two main festival stages side by side on the field. Fans will have general admission access to the stadium field. The musical portion of the event will once again feature the Birch Hill stage, a very popular performance area, with the addition of another performance area showcasing developing artists. See below for the full schedule:

Rock Carnival Friday Schedule Rock Carnival Saturday Schedule Rock Carnival Sunday Schedule

For further information and to purchase tickets to the upcoming event, visit: http://therockcarnival.com/