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Sons of Apollo Announce “MMXX” for 2020

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Sons of Apollo is kicking off 2020 with a brand-new album, aptly named MMXX. Produced by Mike Portnoy and Derek Sherinian, the record is set to be out January 17th, 2020 via InsideOutMusic/Sony, and you can check out a brief teaser trailer for the album here: https://youtu.be/nL3YM8yKJIM. The first single off MMXX, “Goodbye Divinity”, will be revealed the day pre-orders are available, on November 15th. Mike Portnoy says of the record, “Stylistically, we have followed the same path as the debut. But we feel that it has come out stronger, simply because we know one another better. Psychotic Symphony was the first time the five of us had worked together, so there was bound to be an air of experimentation happening. Now, we can draw on having the experience not only of recording that album, but also of touring together a lot. And now there is clearly a lot more obvious chemistry going on”. Sons of Apollo also has tours lined up for North America and Europe in early 2020. Visit: https://www.sonsofapollo.com/ for all the info.

Final Dio Studio Albums to be Reissued

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The final four Dio studio albums, released from 1996-2004, are about to get a reissue in 2020, via BMG and Niji Entertainment Group Inc. The newly reissued and remastered Angry Machines (1996), Magica (2000), Killing the Dragon (2002), and Master of the Moon (2004) will feature rare and never before released live and studio bonus tracks, with updated artwork to go along with it all. February 21st, 2020 marks the date of release. Head to: https://www.facebook.com/OfficialRonnieJamesDio/ for more info.

King Diamond Reveals “Masquerade of Madness”

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King Diamond’s first new studio album in 12 years, The Institute, is on the way, but in the meantime, a taste of the highly-anticipated concept record is available now in the form of “Masquerade of Madness”, the first single. You can check it out right here. Here’s some of what King Diamond has to say about the track: “’Masquerade of Madness’ is one of the first King Diamond studio songs in a long time. It will be featured on a future two album horror concept story, of which the first part is titled The Institute. The style is very classic King Diamond with lots of dynamics and limited amounts of compression to achieve very natural sounding vocals and instruments throughout the song. You’ll find some complex orchestrations, including the typical choir works you’re used to hearing from King Diamond, and a special thought process bringing vocals back to the forefront: ‘All vocals are lead vocals’. Both Andy and I are presently working on several different songs with high potential for the upcoming album; all of which are absolute killers”. King Diamond is currently on the road with Uncle Acid & The Deadbeats and Idle Hands. Head to: https://www.kingdiamondcoven.com/ for all the info.

Accept To Acquire a Third Guitarist

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Accept is on their way to two upcoming North American tour dates this coming week, but with a slight switch in the lineup. As guitarist Uwe Lulis recovers from a reconstructive leg surgery, the band will be joined by Philip Souse for these two dates – after which, Philip will become a permanent member of Accept, even after Uwe returns to the stage. The band will now have a triple-guitar lineup, with Philip, Uwe, and Wolf Hoffman alongside the existing lineup of Christopher Williams on drums, Martin Motnik on bass, and frontman Mark Tornillo, and Accept has plenty of touring plans lined up for 2020. Keep up with the band via: http://acceptworldwide.com/.

Killswitch Engage to Tour with August Burns Red in 2020

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Killswitch Engage has just announced their plans to hit the road across North America in early 2020. With August Burns Red along for the ride, the iconic modern metallers will be touring in support of their latest full-length, Atonement, which came out this summer. The Atonement Tour 2020 will kick off on March 10th in Cleveland and run throughout the U.S. and Canada until they wrap things up on April 12th in Boston. For the full listing of dates, head to: http://www.killswitchengage.com/.

Obscura Signs To Nuclear Blast Records

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German Progressive Death Metallers Obscura have officially been signed to Nuclear Blast Records, with plans for a new record on the horizon. The band’s founder Steffen Kummerer says of the news, “Partnering with the world’s biggest independent metal label feels like the start of a new chapter for Obscura and we are very much looking forward to a great collaboration and to releasing our forthcoming sixth studio album with a great team at our side”, while Jaap Wagemaker of Nuclear Blast states, “…We have long admired the artistry of German progressive death metal masters Obscura. We were blown away by their musical 4-album-cycle that started with Cosmogenesis and ended with Diluvium complete with all the band’s signature elements plus groundbreaking polyrhythms, dramatic songwriting, and jaw-dropping virtuosity! We knew that Obscura has the potential to become one of the leading forces in progressive death metal worldwide, so when the opportunity came to work with them, there was no room for second thoughts. We at Nuclear Blast are very curious to see where Obscura’s musical journey beyond Diluvium will bring them. If you are a fan of progressive metal, you should definitely check out this band!” Obscura is set to tour their most recent album, Diluvium, across Europe in early 2020, with support from God Dethroned, Thulcandra, and Fractal Universe. Visit: https://www.realmofobscura.com/ for more.

Saxon’s Biff Byford To Release Solo Album

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Legendary Saxon frontman Biff Byford is headed on a solo venture, with his first ever solo album, School of Hard Knocks, set to be released via Silver Lining Music on February 21st, 2020. Biff says of the album’s material, “I’m singing about my past of course and about things I like, but mostly I wanted it to reflect me, my personality and my life. Song-wise it’s more diverse and not just focused on heavy metal. I wanted it to be a slice of the music I like, from metal, to rock ‘n’ roll. I’m a guy who’s just as happy listening to Metallica or Judy Garland, because as long as it’s great and entertains me, then what more do I need?” Biff also plans to hit the road with some solo live shows next year, on what he calls a “words-and-music tour”. More info will be revealed closer to the album’s release – keep an eye on: https://www.facebook.com/biffsaxon747/ for updates.

“Ol’ Black Eyes Is Back” To Continue in 2020

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Alice Cooper is going strong on the road – the legend just wrapped up an arena run in the U.K., and the Ol’ Black Eyes Is Back tour is about to hit the U.S. this fall – now, a new leg of the tour has just been announced as it extends into 2020. Alice will first head out to Australia and New Zealand in February, before taking the show across North America throughout the month of April. You can find all the details and the full listing of dates right here: https://alicecooper.com/tour/.

Bowl For Ronnie Announced for 2019

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The Fifth Annual Bowl For Ronnie Celebrity Bowling Party is officially set for next month, with the Ronnie James Dio Stand Up And Shout Cancer Fund event taking place on November 7th at PINZ Bowling Center in Studio City, California. Teams of celebrity guests will aim to beat last year’s record of $74,000 raised for the charity, as Eddie Trunk hosts for the evening. For an idea of what to expect, check out highlights from last year’s event here. Tickets for the 2019 Bowling Event can be purchased, with 100% of the proceeds benefitting the Ronnie James Dio Cancer Fund, at: https://www.eventbrite.com/e/bowl-for-ronnie-2019-tickets-63786798030.

Static-X Makes A Special Announcement for “Project Regeneration”

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While Static-X is continuing their Wisconsin Death Trip 20th Anniversary Tour straight through to the end of 2019, with their co-headliners Devildriver alongside support from Dope, Wednesday 13, and Raven Black, the band has a new announcement related to their highly-anticipated seventh studio album, Project Regeneration. The full-length was originally set to be released earlier this year and feature several guest vocalists, until a discovery during the recording process changed the band’s plans – here’s Tony Campos’ telling of the story: “Our producer was going through all of these old studio tapes, many of which were damaged. He called me up and told me that I needed to get down to the studio right away and listen to what he found…I jumped in my car and raced to the studio and what he shared, fucking blew me away…It was Wayne singing on track after track, but there was little to no music on any of it…Most of the tapes were damaged and Waynes voice was virtually all that remained in tact”. As a result, Project Regeneration will now feature vocals from original frontman Wayne Static on almost every track, with the new release date planned for May 29th, 2020, and an official video teaser for the track “Hollow” available now. Visit: http://www.static-x.org/ for updates.

Sepultura To Release “Quadra”

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Sepultura has just finished recording a brand-new album, and the band officially announced this upcoming release during their show at Rock in Rio Festival last week. Quadra will be the title of the follow up to 2017’s Machine Messiah, and the new concept album is set for an early 2020 release via Nuclear Blast. Sepultura frontman Derrick Green says of the recording process: “The experience was like no other time in the studio. I felt the preparation was key in making the recording process go as smooth as possible. We were relentless each day giving everything that we had until complete exhaustion of the mind, body, and soul. This album is a direct result of the sign of times. The music is an evolution needed to push ourselves to go further than we ever have”. The exact release date, as well as the first single, are to be revealed in the near future. Keep up with the band via: https://www.sepultura.com.br/.

Interview: Creeping Death

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Creeping Death is just about to release their latest record and first-ever full-length, Wretched Illusions on eOne this Friday, September 27th. The Texas Death Metallers hit St. Vitus in Brooklyn, NY, during their recent tour, and I had the chance to talk with Reese and Trey (the vocalist and guitarist, respectively) of Creeping Death, about the latest album, their signing to eOne, their musical backgrounds and connection with Power Trip, and just how an internet role-playing game has influenced their music (well, maybe just a track or two…). Check it out below. 


Creeping Death, here tonight in Brooklyn at St. Vitus, you recently kicked off the tour with Inter Arma, so to start off, how’s that going?

Reese: It’s going really great, actually, all the shows have been sweet, all the bands have been super into it, a lot of new people are hearing our music, so that’s awesome. Can’t wait for the rest of the shows.

Trey: Inter Arma also is a sick band, they’re really heavy, I love seeing them every night, it’s been a real treat.

Awesome. So you’ve already had two major releases with eOne – I mean, one’s still on the horizon, hasn’t come out quite yet, but you had the EP Specter of War and now we’re heading toward Wretched Illusions, can you take us through some of the process, almost like a “point a to point b”, from the EP into this one?

Trey: Yeah, so basically, we self-released the EP earlier in 2018, we had written it in 2017, and then they picked us up in the summer and we were all completely surprised, and they wanted an LP, so we kind of had a deadline, but we work really well with deadlines, so we knocked it out in the span of 10-12 weeks.

Reese: And then decided to re-release in the meantime. 

Trey: Yeah, and they re-released Specter in the meantime when they picked us up, so it was all really sick, it all happened really fast, and we just kept the momentum going, and we want to keep that going indefinitely. 

Of course! So when you were working on the EP, were you already thinking towards the next step, the full-length, or was it more like taking things one at a time?

Trey: Actually, the plan was to ride on Specter for a little bit longer, I don’t think we really planned on doing an LP until 2020, but then eOne comes a’callin’, and you answer that phone! So we were like, “Yeah, let’s do it”, put everything into hyperdrive and knocked it out. It was really a fun process, we’re really proud of how everything came out. 

Awesome, and it is the first-ever full-length for you guys, can you talk about how that was for you guys compared to some of the shorter records you’ve done, in terms of more songs, more content, going into a full-length?

Reese: Well, for me, I feel like I was most affected by having to write content for ten different songs, I never had to do that before, and I had to write them all way faster, so I was like, “Where are these ideas? And how do I elaborate on them?” But yeah, it took three weeks of staying up til 5am to figure it out, but I did it and it’s done, so that feels good.

Worth it in the end. 

Reese: Oh yeah.

Trey: For me, I was in college for the entirety of the band until 2018, so basically, for this LP, I actually had free time with all my other bandmates to write everything all at once, all together, and I think that really comes through in the music. Before, you assemble it in pieces, because college, work, and all this stuff…now, a lot more free time, we dedicate it to the band, and it really shows.

Yeah, you guys are killing it so far, so good job.

Reese & Trey: Thank you.

I’ve noticed some people have been referring to your music as sounding like it has some old-school Swedish death metal influences, it’s a very specific reference, does that ring true for you, is that one of your sources of inspiration?

Trey: Oh yeah, one of the biggest influences is Grave, so it makes complete sense. 

And, for you, Resse, I’ve heard that Creeping Death is actually your first official formal band, but did you have any experience or involvement with music beforehand?

Reese: I mean, I’d been going to shows forever, but no, aside from playing stuff here and there as a kid, I didn’t really do anything before, so I decided to hit up Trey and get something started. Since then, I’ve played bass, guitar, drums…not very well…but yeah, this was my first endeavor and I’m really happy to see where it’s going.

Absolutely, got to ride the wave of it out there. *laughs* And what about you (Trey), what’s your music background?

Trey: I played drums in a hardcore band prior to this, I’ve always been a hardcore kid, but I’ve always been super into Death Metal – I started playing guitar about 2 years before the demo cam out, so I was just kind of going along, and the band has kind of progressed along with my guitar playing skills, still kind of learning as I go. So every day I’m getting better, the more I play, the more I feel comfortable with this, because I still considered myself a drummer, that’s what I think of when I tell people I’m a musician, it’s like, “Oh, I play drums! And…guitar, too.” 

“Oh, and that too, by the way”, *laughs* That’s cool though, you guys are developing things further that you already had in you. Now, I do want to talk about one other “label” I’m hearing people giving Creeping Death, “Runescape-inspired Death Metal”?

Reese: Oh, God bless.

As a former – haven’t played in a long time – but long-time Runescape player myself —

Reese: You played it too? YES!

Trey: Oh, GOD.

— I HAD to ask about this, I had to! *laughs*

Trey: Oh God, here we go!

Reese: YES!! You should play again. So basically, I was unemployed for a month like, two or three years ago and I was like, “Wow, I have literally nothing to do”, so I started playing Runescape again because they re-released the servers from how it was back in 2007.

Oh cool, that was when I was playing it.

Reese: So there’s Runescape 3 and Old-School Runescape…like 78% of the player base is on Old-School, it’s so sick, and it’s awesome, and that’s all of my free time.

So how does that connect in any way with what you’re doing with Creeping Death?

Reese: I like to write about fantasy, that’s what I’m into, so I kind of use some themes from Runescape. I mean, here’s the deal, I write it in a way that it doesn’t sound like it’s about some stupid borderline 16-bit Java-based game from 2007, but I guess you could take some inspiration from it considering I literally wrote the longest song on that album about it. But yeah.

Trey: There’s other topics, though.

Reese: Oh yeah, for sure. There’s one song about Runescape.

Of course! I think it’s well-disguised because when I was listening to the album, I didn’t pick up on anything, but I did read something that said “Runescape-inspired Death Metal”, and I was like, “Oh, I’ve GOT to ask them about this”. 

Reese: *laughs* I can’t tell you how many people took a screenshot of that headline and sent it to me and was like, “Bruh”. 

Trey: I mean, I said “Bruh”, and I’m in the band. Like, dawg, I play sports, I don’t know, what are you doing?

You’re over here saying, “They weren’t supposed to know that part!”

Trey: No, no!

Reese: Ah, let it be known. 

All right, so back to you guys in your touring cycle, you just came off of the RPM fest in Massachusetts, I know that’s a pretty heavy festival, can you talk a bit about how that was?

Reese: That was really, really cool actually, they had three crazy stages, one was in a tent, it was crazy because a band started with two songs left from another band, so you played your intro, and it went from 12 to like…200 people in a heartbeat. In like three measures! So it was really cool, everybody really vibed with it. It was a sick fest, yeah, I had a really good time.

Trey: The locale was also really beautiful, it was really nice pulling into Western Mass and seeing all the trees, playing in the middle of the forest, that was really cool.

Especially for you guys, coming from Texas, a very different scenery and setting there.

Trey: Hot. Flat. That’s about it.

Now, you’ve also got the tour with High on Fire and Power Trip coming up later this year, some thoughts looking toward that?

Reese: Oh, I can’t wait, that’s going to be so sick. We’ve been friends with Power Trip for as long as they’ve been doing it, so it’s really cool to finally go out and get with them. High On Fire is going to be insane, I’m going to yell at Matt Pike a lot, that’s going to be cool. I’m really stoked though, that tour is unreal, it really feels like it’s not real, so we’re excited.

Trey: Yeah, it’s not every day you get to tour with a band that won a Grammy, so it’s crazy, and like Reese said, Power Trip, those dudes have been our homies for a while, so it’s going to be a lot of fun.

Cool. You both mentioned the connection with Power Trip there, and for this record, you also worked with producer Daniel Schmuck, who has produced Power Trip as well, talk about that experience a little, that connection?

Trey: Daniel, he is my boy. I’m actually in another band with him, I play bass in a band he plays guitar in, and but he has recorded every single thing that we’ve done since the demo. So we’ve asked him for more and more each time, and every time, he delivers. I love the production on all of our stuff, you see a marked improvement each time that kind of goes along with the band. This time, he recorded, and Arthur Rizzik mixed and mastered it, he just made an incredible mix, it sounds heavy as hell. It sounds really good, it sounds full and big, and I really like it a lot. 

Reese: Yeah, I’m so happy with the masters.

Awesome, I mean, I’m into it too, so I agree with you guys, it sounds great.

Reese: Sweet. Thank you.

So again, we’re here at Vitus and you’re taking the stage tonight, and just to wrap things up here, what’s on the horizon for Creeping Death?

Trey: Lots of tours. We really just want to keep going as hard as we can.

Reese: Take it as far as it takes us. 

And have fun along the way, right?

Reese: Yeah!

Trey: Exactly, yeah!

Awesome, good stuff. Thank you guys for your time, this was cool.

Trey: Thank you.

Reese: Thank you so much!


Wretched Illusions is available now via the Creeping Death Bandcamp Page and iTunes (affiliate link). Keep up with the band here.

Wage War Release “Pressure”

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Wage War just released their third full-length, Pressure, late last week via Fearless Records, following up on 2017’s successful venture Deadweight. The band has teamed up with Billboard to premiere a brand-new music video for the track “Grave”, which you can check out, alongside an interview with frontman Cody Quistad, right here: https://www.billboard.com/articles/columns/rock/8528731/wage-wars-grave-video-pressure-interview. Wage War is set to head out on a headline tour at the end of this month, running through to the start of November, with support from Like Moths To Flames, Polaris, and Dayseeker. For more info, visit: http://wagewarband.com/

Sonata Arctica New Album Out This Friday

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Sonata Arctica are getting ready for their latest release, the album Talviyö, set to be out this Friday, September 6th via Nuclear Blast. Not too long ago, the band gave a taste of the latest from their melodic metal discography with the music video for “Cold”, which you can see right here. Today, Sonata Arctica has also released the first in a series of album trailers giving a look into the making of Talviyö, available here. Sonata Arctica will join Kamelot and Battle Beast as part of The Shadow Tour – North America 2019, kicking off on September 10th and running through to mid-October. Head to: http://www.sonataarctica.info/news for more info.